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                <text>&lt;em&gt;African-American Monument&lt;/em&gt; (Savannah, GA)</text>
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                <text>Sited on the tourist promenade of River Street, the work depicts a black family in contemporary dress. The father, mother, daughter, and son hold one another in a tight embrace as they stand on broken chains. Along the base of the work are engravings of ocean waves and two sets of chained hands.</text>
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                <text>Rousakis Riverfront Plaza, Savannah, Georgia, 31401, United States</text>
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                <text>Photograph: Wikipedia Commons, &lt;a href="https://en.wikipedia.org/wiki/File:African-American_Monument,_Savannah,_GA,_US.jpg" target="_blank" rel="noopener"&gt;https://en.wikipedia.org/wiki/File:African-American_Monument,_Savannah,_GA,_US.jpg&lt;/a&gt;</text>
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              <text>Obelisk and pedestal: 276 in. (701.04 cm.)</text>
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                <text>&lt;em&gt;South Carolina African-American History Monument&lt;/em&gt; (Columbia, SC)</text>
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                <text>&lt;p&gt;Subject (Topic)&lt;br /&gt;African American history&lt;br /&gt;American South&lt;br /&gt;Public art&lt;br /&gt;Public sculpture&lt;br /&gt;Slave ships--History&lt;br /&gt;Slavery&lt;br /&gt;South Carolina--History&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</text>
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                <text>Two semicircular gray granite walls, inlaid with twelve bronze panels illustrating 300 years of African American history, frame an obelisk and pedestal. The twelve scenes of African American history include images of the Middle Passage, an African American family on an auction block, slaves working in a field, men and women celebrating the Emancipation Proclamation, the Jim Crow era, the Great Migration, and images of contemporary African Americans’ important contributions to engineering, law education, sports, politics, and space exploration. At the base of the monument’s obelisk are four rubbing stones from regions of Africa where slaves were captured - Senegal, Sierra Leone, the Republic of Congo, and Ghana. In front of the memorial, Dwight included a bronze cast of the famous print of the British slave ship &lt;em&gt;Brookes&lt;/em&gt; (1787).</text>
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                <text>&lt;a href="https://dc.statelibrary.sc.gov/handle/10827/25969" target="_blank" rel="noopener"&gt;African American History Monument Commission&lt;/a&gt;; South Carolina Arts Commission; State House Committee; Citizens' Advisory Committe; Design Committee; Fundraising Committee; and private donors.</text>
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                <text>Photographs: Ron Cogswell, &lt;a href="https://www.flickr.com/photos/22711505@N05/7917139800/in/album-72157630674378570/" target="_blank" rel="noopener"&gt;https://www.flickr.com/photos/22711505@N05/7917139800/in/album-72157630674378570/&lt;/a&gt;</text>
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                <text>&lt;p&gt;The monumental work includes two bronze walls featuring figural scenes celebrating 400 years of African Americans’ contributions to Texas history. Decorated on both front and back, Dwight includes depictions of African Americans engaged in the cattle, cotton, and oil industries as well as tributes to Mickey Leland, Medgar Evers, Buffalo Soldiers, President Barack Obama, and African American Medal of Honor recipients. The two embellished walls meet at a central column. Scores of African American figures, seemingly comprising the base and shaft of the column, gaze outward at the viewer. The top of the column is adorned with two figures standing on a base that reads “Emancipation.” Both figures, one male, one female, have the cuffs of broken shackles and chains around their wrists. The former raises a lit torch over his head, while the latter holds a copy of the Emancipation Proclamation. The monument also serves as a memorial to Juneteenth (June 19, 1865), when hundreds of Union troops arrived in Texas and announced the abolition of slavery in the U.S. The memorial sits atop a granite base, which features bronze plaques with didactic text.&lt;/p&gt;</text>
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