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                <text>Standing to the right of a lectern, Frederick Douglass is depicted as in elder statesman, with a furrowed brow and deep lines marking his face. Captured mid-speech, Douglass raises his right hand above his head in a rhetorical gesture, while his left-hand rests atop the lectern. The life-sized bronze figure rests on a base of stone. The work is located in front of the Maryland Circuit Court Judge’s Office in Easton, MD. Just to the right and in the same plaza is a monument to Confederate soldiers.</text>
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                <text>Life-size statue of William Seward and Harriet Tubman standing on Mohawk Valley ordovician dolostone inside a garden bed. Seward stands with a cane in his right hand and his left arm around the back of Tubman. He wears nineteenth-century clothing including a jacket, vest, and pants. Tubman gestures with her right hand and carries a walking stick in her left hand. She wears a bodice and skirt. Draped across her chest is a sack with the end of a revolver visible.</text>
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                <text>Board of Trustees of the Schenectady County Public Library; and Community Members: &lt;span class="color15"&gt;Virginia and Frank Wicks; Carl George; Anita Paul and David Gerhan&lt;/span&gt;; &lt;span class="color15"&gt;Jim and Jean Underwood&lt;/span&gt;; &lt;span class="color15"&gt;Linda Patrik and David Kaczynski&lt;/span&gt;; &lt;span class="color15"&gt;Twitty and Constance Styles; Cara Molyneaux&lt;/span&gt;; &lt;span class="color15"&gt;Arnold Seiken&lt;/span&gt;; &lt;span class="color15"&gt;Roger Hull; Brian and Judith Merriam&lt;/span&gt;; &lt;span class="color15"&gt;Robert Ringlee; Miriam Butzel; Butzel Family Foundation&lt;/span&gt;; &lt;span class="color15"&gt;Norman Maender&lt;/span&gt;; &lt;span class="color15"&gt;David and Jean Cossey&lt;/span&gt;; &lt;span class="color15"&gt;Carmela St George&lt;/span&gt;; &lt;span class="color15"&gt;Barbara Armstrong and Robert Coppola&lt;/span&gt;; &lt;span class="color15"&gt;Rhonda Becker&lt;/span&gt;; &lt;span class="color15"&gt;Anastasia Pease&lt;/span&gt;; &lt;span class="color15"&gt;Eshragh Motahar&lt;/span&gt;; &lt;span class="color15"&gt;Paul and Christina Friedman&lt;/span&gt;; &lt;span class="color15"&gt;Katherine Lynes&lt;/span&gt;; &lt;span class="color15"&gt;Roger and Seneca Hoerl&lt;/span&gt;; &lt;span class="color15"&gt;Karen and Rodney Crosby&lt;/span&gt;; &lt;span class="color15"&gt;David and Ann Songayllo Hannay; Cherrice Traver&lt;/span&gt;; &lt;span class="color15"&gt;Jonathan and Rachel Marr&lt;/span&gt;; &lt;span class="color15"&gt;Marsha and Leonard Mortimore&lt;/span&gt;; &lt;span class="color15"&gt;James and Jean McLaughlin&lt;/span&gt;; &lt;span class="color15"&gt;Andrea Worthington and Robert Olberg&lt;/span&gt;; &lt;span class="color15"&gt;Kesheng Yu&lt;/span&gt;; &lt;span class="color15"&gt;Paul Wehrum&lt;/span&gt;; &lt;span class="color15"&gt;Barry Kramer&lt;/span&gt;; &lt;span class="color15"&gt;Rebecca Koopman&lt;/span&gt;; &lt;span class="color15"&gt;Assemblyman Angelo Santabarbara&lt;/span&gt;; &lt;span class="color15"&gt;Ted Vinick&lt;/span&gt;; &lt;span class="color15"&gt;Becky Cortez&lt;/span&gt;; &lt;span class="color15"&gt;Martha Huggins and Malcolm Willison&lt;/span&gt;; &lt;span class="color15"&gt;Faith and Dexter Benedict&lt;/span&gt;; &lt;span class="color15"&gt;Mary and Phillip Lyford&lt;/span&gt;; &lt;span class="color15"&gt;Clifford Brown&lt;/span&gt;; &lt;span class="color15"&gt;Caroline Bardwell&lt;/span&gt;; &lt;span class="color15"&gt;Margaret Craven Snowden, M.D.&lt;/span&gt;; &lt;span class="color15"&gt;Nancy Papish&lt;/span&gt;; &lt;span class="color15"&gt;Julie Pieper-Hemmings&lt;/span&gt;; &lt;span class="color15"&gt;Senator James Tedisco&lt;/span&gt;; &lt;span class="color15"&gt;Charles and Linda Becker&lt;/span&gt;; &lt;span class="color15"&gt;Charles and Marianne Szuberla&lt;/span&gt;; &lt;span class="color15"&gt;Patricia and Keith Barney&lt;/span&gt;l; &lt;span class="color15"&gt;Wayne and Amy Brule&lt;/span&gt;; &lt;span class="color15"&gt;Jim and Cei Mack&lt;/span&gt;; &lt;span class="color15"&gt;Martin and Sharon Strosberg&lt;/span&gt;; &lt;span class="color15"&gt;Mary O’Keeffe&lt;/span&gt;; &lt;span class="color15"&gt;Margo and James Strosberg, M.D.&lt;/span&gt;; &lt;span class="color15"&gt;Peter and Judy Nocera&lt;/span&gt;; &lt;span class="color15"&gt;Mary and Thomas Werner; Michele and Randall Collins&lt;/span&gt;; &lt;span class="color15"&gt;Donald O. 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Smith&lt;/span&gt;; &lt;span class="color15"&gt;Dr Nancy D. Fitzroy&lt;/span&gt;; &lt;span class="color15"&gt;Janis Polishook&lt;/span&gt;; &lt;span class="color15"&gt;L. William Davis&lt;/span&gt;; &lt;span class="color15"&gt;Dr Walter and Anne Robb&lt;/span&gt;; &lt;span class="color15"&gt;Bradley and Catherine Lewis&lt;/span&gt;; &lt;span class="color15"&gt;Christopher Gardner&lt;/span&gt;; &lt;span class="color15"&gt;Kathleen LoGiudice and John Blanchard&lt;/span&gt;; &lt;span class="color15"&gt;Christopher Leonard&lt;/span&gt;; &lt;span class="color15"&gt;Philip M. Williamson&lt;/span&gt;; &lt;span class="color15"&gt;Jean Hayden Hutchins (in Memory of Dr Charles Steinmetz)&lt;/span&gt;; &lt;span class="color15"&gt;Eric and Kent Johnson (in Memory of Mayor Karen Johnson)&lt;/span&gt;; and &lt;span class="color15"&gt;The Wicks Family (in Memory of Dr Rollo and Hazel Wicks).&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;</text>
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                <text>&lt;a href="https://www.tubmansewardstatue.org/" target="_blank" rel="noopener"&gt;Harriet Tubman and William Seward: Leaders for Freedom and Justice&lt;/a&gt;</text>
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                <text>&lt;em&gt;Truths that Rise from the Roots Remembered&lt;/em&gt; is located in the Alexandria African American Heritage Park. The memorial includes a group of three stylized bronze trees whose surfaces are etched with names, historical information, and photographs of the African American community in Alexandria; a commemorative grave mound sculpture with limestone supports; and a bronze bookstand. The trees and mound are contained within a circle surrounded by gray flag stone and a semi-circular brick wall. Embedded in the gray flagstone is a red limestone circle, marked with the compass points.</text>
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                <text>&lt;em&gt;Jerry Rescue Monument&lt;/em&gt; (Syracuse, NY)</text>
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                <text>A concrete four-pointed star serves as the sculpture’s plinth. Three brick and concrete walls form a niche, which viewers are invited to physically occupy. Affixed to the brick walls, the niche contains bronze plaques explaining the history of Jerry Henry’s rescue and the symbolism of the sculpture. Emerging from the central brick wall, on the side that faces outward, away from the architectural niche, are three life-size bronze figures. Rendered in high relief, the artist, BuMann, depicts an imagined scene of Jerry’s rescue. A shirtless Henry, with broken shackles on his wrists, is helped to safety with the assistance of&lt;a href="https://www.harvardsquarelibrary.org/biographies/samuel-joseph-may/" target="_blank" rel="noopener"&gt; Rev. Samuel J. May&lt;/a&gt; and the &lt;a href="https://docsouth.unc.edu/neh/loguen/summary.html" target="_blank" rel="noopener"&gt;Rev. Jermain W. Loguen&lt;/a&gt; (who was himself a formerly enslaved person), men who were not actually present during Jerry’s escape.</text>
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                <text>To learn more about Jerry Henry's rescue, checkout &lt;a href="https://library.syr.edu/digital/exhibits/u/undergroundrr/case3.htm"&gt;"The Jerry Rescue and Its Aftermath,&lt;/a&gt;" a digital exhibition curated by the Special Collections Research Center of Syracuse University.</text>
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                <text>&lt;em&gt;Gateway to Freedom: International Memorial to the Underground Railroad&lt;/em&gt; (Detroit, MI )</text>
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                <text>Subject (Topic)&lt;br /&gt;Underground Railroad&lt;br /&gt;Slavery-- Abolition&lt;br /&gt;Slavery-- Emancipation&lt;br /&gt;Resistance&lt;br /&gt;Midwestern United States&lt;br /&gt;Public art&lt;br /&gt;Public sculpture</text>
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                <text>&lt;p class="p1"&gt;&lt;span class="s1"&gt;Two gateway pillars (approximately fifteen feet tall), topped with candles symbolizing the “Flame of Freedom,” flank Ed Dwight's memorial to the Underground Railroad. The work, which overlooks the Detroit River, includes a ten-by-twelve-foot sculptural group: eight escaping slaves and an Underground Railroad Conductor, who gazes and points towards Canada. Dwight modeled the conductor after &lt;/span&gt;&lt;a href="https://detroithistorical.org/learn/encyclopedia-of-detroit/debaptiste-george" target="_blank" rel="noopener"&gt;George DeBaptiste&lt;/a&gt;, a freeman from Virginia who migrated to Detroit in 1846. DeBaptiste was an active abolitionist, Underground Railroad operative, and leader of the Vigilant Committee of Detroit, a watchdog and legal advocacy group for the black community.&amp;nbsp;&lt;/p&gt;&#13;
&lt;br /&gt;Panels with engravings of quilt squares appear on either side of the figural group. Here, Dwight appears to be referencing one of the most popular myths surrounding the Underground Railroad:&lt;span&gt;&amp;nbsp;“&lt;a href="https://www.pbs.org/wnet/african-americans-many-rivers-to-cross/history/who-really-ran-the-underground-railroad/"&gt;Freedom Quilts&lt;/a&gt;,” objects said to have been created by slaves and hung in windows as coded maps or guideposts for fugitives slaves on the run. &lt;/span&gt;The base of the sculpture is embellished with engravings of lanterns resting in window sills.&lt;br /&gt;&lt;br /&gt;As the historian, Nora Faires has observed of the two gateway pillars: “High on the western pillar is a carving of a “slave tag,” dated 1833. Masters in Charleston, South Carolina, were legally required to purchase such tags or badges for slaves to wear, both as a revenue-raising measure and to keep track of those in the city’s slave population who hired out their own time. The badges were meant, in part, to prevent runaways from blending into the urban slave population, because they would have found it difficult and dangerous to seek work or engage in other business on their own behalf without possessing a tag. Dwight adorned the eastern pillar with a Charleston “free tag,” which the city had required free blacks to wear for most of the 1780s, probably also to help prevent runaways from taking advantage of urban opportunities. Interestingly, the centerpiece of the free tag is a liberty or Phrygian cap, held aloft on a liberty pole, a symbol of the quest for freedom that made an occasional appearance during the era of the American Revolution but would become more common in the United States in the 1790s and after, it having been popularized in the French Revolution.33 The placement of the slave figures between these two badges hints at their liminal state between the strict regulations of slavery and the quest for full liberty" (see b&lt;span&gt;ibliographic citation).&lt;/span&gt;</text>
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                <text>Visual Arts-Sculpture&#13;
&#13;
</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Wikipedia Commons; Susan Cohn via High on Adventure</text>
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