8 10 107 https://community-sourcing-beta-test.slaverymonuments.org/files/original/50133ddbaba08b2ef5f070dd17dfa670.jpg ef6152d2a6c24611f255af05e71cc578 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Sculpture Physical Dimensions The actual physical size of the original image 144'' (365.76 cm) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reconciliation Memorial (Richmond, Virginia) Subject The topic of the resource Subject (Topic) Antislavery movements--United States Transatlantic Slave Trade Middle Passage Northeastern United States Public art Public sculpture Subject (Object Type) Commemorative sculpture Description An account of the resource The bronze torsos of two abstracted figures, engaged in a tight embrace, emerge from a rectangular bronze base. Unlike its <a href="https://www.community-sourcing-beta-test.slaverymonuments.org/admin/items/show/1138" target="_blank" rel="noopener">Liverpudlian</a> counterpart, this work includes the addition of bronze low-relief designs, reflecting images related to the slave trade, including cotton plants, chains, and industrial factories. The work was erected close to Richmond’s <a href="https://www.citylab.com/equity/2015/02/americas-failure-to-preserve-historic-slave-markets/385367/" target="_blank" rel="noopener">former slave market in Shockoe Bottom</a>. Creator An entity primarily responsible for making the resource Broadbent, Stephen Date A point or period of time associated with an event in the lifecycle of the resource Dedicated: March 31, 2007 Contributor An entity responsible for making contributions to the resource City of Richmond, Virginia Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource English Type The nature or genre of the resource Visual Arts-Sculpture Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant East Main Street Richmond, VA 23219, United States Source A related resource from which the described resource is derived Broadbent Studio https://community-sourcing-beta-test.slaverymonuments.org/files/original/8a8f257be8ee473b94117d9e8b029533.jpg 9c42028a005380f18ef25d453fc9d1d3 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Sculpture Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Redemption Song (Kingston, Jamaica) Subject The topic of the resource Subject (Topic) Slavery-Emancipation Middle Passage Transatlantic Slave Trade Slave Trade Diaspora Kingston, Jamaica Subject (Object Type) Commemorative sculpture Description An account of the resource Two nude figures, shown from the knees up, face one another as they gaze skyward. The two bronze figures of a man and woman stand in a cast-iron dome fountain. Creator An entity primarily responsible for making the resource Facey, Laura, 1954- Date A point or period of time associated with an event in the lifecycle of the resource Unveiled: July 31, 2003 Contributor An entity responsible for making contributions to the resource National Gallery of Jamaica; Jamaica National Heritage Trust; National Government of Jamaica Relation A related resource To watch Paddlin' Spirit, short documentary film about the Laura Facey, <a href="https://caribbeantalesfestival.com/project/paddlin-spirit-a-portrait-of-the-artist-laura-facey/" target="_blank" rel="noopener">click here.</a> Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource English Type The nature or genre of the resource Visual Arts-Sculpture Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Emancipation Park Oxford Road and, Knutsford Blvd, Kingston, Jamaica Source A related resource from which the described resource is derived Emancipation Park Online: A Tribute to Freedom https://community-sourcing-beta-test.slaverymonuments.org/files/original/2129f690590f6b0925bf14ec353f0d07.jpg 1af884fdc15aa679cd48f9e9d299de93 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Sculpture Physical Dimensions The actual physical size of the original image 132 in. x 168 in. (335.28 cm x 426.72cm.) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Gould Shaw and Massachusetts 54th Regiment Memorial (Boston, MA) Subject The topic of the resource Subject (Topic) Men--United States Colored Troops Associations--Military Northeastern United States Public art Public sculpture Subject (Object Type) Commemorative sculpture Description An account of the resource The work commemorates members of the 54th Volunteer Infantry, the first documented African American regiment to be formed during the Civil War. Colonel Shaw, the regiment’s leader, is shown on horseback with three rows of infantrymen marching behind him. This scene depicts the 54th Regiment marching down Beacon Street in Boston on May 28, 1863, as they left Boston to head for the battles that wages in the South. Creator An entity primarily responsible for making the resource Saint-Gaudens, Augustus, 1848-1907 Date A point or period of time associated with an event in the lifecycle of the resource Unveiled: May 31, 1897 Contributor An entity responsible for making contributions to the resource Private donations Rights Information about rights held in and over the resource National Parks Service Relation A related resource <a href="https://www.nps.gov/boaf/learn/historyculture/shaw.htm" target="_blank" rel="noopener">Robert Gould Shaw and the 54th Regiment </a> Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource English Type The nature or genre of the resource Visual Arts-Sculpture Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Northwestern edge of Boston Commons, across Beacon Street from the State House, Boston, MA 02133, United States Source A related resource from which the described resource is derived National Park Service Civil War USCT https://community-sourcing-beta-test.slaverymonuments.org/files/original/0a119b0a8f1fb58719aba114c4834fb2.jpg 47a5c18782775035f2fae930cf578d2e https://community-sourcing-beta-test.slaverymonuments.org/files/original/110be1c91ebf27247f2799fc316d23bf.jpg 565fd62774ef9177731e1e3e98eb8650 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Sculpture Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Slave Market Memorial (Stone Town, Zanzibar, Tanzania) Subject The topic of the resource Subject (Topic) Middle Passage Transatlantic Slave Trade Slave Trade Stone Town, Zanzibar Subject (Object Type) Commemorative sculpture Description An account of the resource Five nude torsos of enslaved Africans emerge from stone pillars, whose rough and pebbled texture resemble the stones that fill the concrete pit that surround them. The five cast concrete figures, all but one of whom are chained around the neck, are located on the site of the last slave market in Africa. Creator An entity primarily responsible for making the resource Sörnäs, Clara Relation A related resource To read more about the Stone Town of Zanzibar, a UNESCO World Heritage Site, click <a href="http://whc.unesco.org/en/list/173/" target="_blank" rel="noopener">here.</a> Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource English Type The nature or genre of the resource Visual Arts-Sculpture Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant <a href="https://www.google.com/maps/place/Slave+Chambers/@-6.1645032,39.1926727,18z/data=!4m12!1m6!3m5!1s0x185cd059318257d9:0x73091b66b9d70cd2!2sAnglican+Cathedral!8m2!3d-6.1629403!4d39.1926016!3m4!1s0x185cd05ecaed09bb:0x7840e2a061706433!8m2!3d-6.1634083!4d39.1925146">The memorial is located in the gardens of Christ Church, an Anglican cathedral in Stone Town, Zanzibar</a> Source A related resource from which the described resource is derived We Heart Public Heart, originally from Flickr pic originally uploaded by patripics https://community-sourcing-beta-test.slaverymonuments.org/files/original/6fc621e11cbdcf5a40e765d0a49899a1.jpg 5f0da841447df18bd30a04f8d0fe939a Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Sculpture Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Slavernijmonument (National Slavery Monument) (Amsterdam, The Netherlands) Subject The topic of the resource Subject (Topic) Middle Passage Transatlantic Slave Trade Slave Trade Amsterdam, Netherlands Subject (Object Type) Commemorative sculpture Description An account of the resource Taken collectively, the elongated bronze figures of enslaved Africans evoke the hull of a ship. An over life-sized woman, her arms outstretched as she arches her body backward, recalls the ship’s prow. The stern of the ship is personified by a number of nude figures, staggering forward, tethered to one another by the shackles around their necks and wrists. The rough-hewn metal texture of the sculptural surface abstracts the individual features of each figure. The memorial commemorates the abolition of slavery in the Netherlands in 1863. Creator An entity primarily responsible for making the resource de Vries, Erwin, 1929-2018 Date A point or period of time associated with an event in the lifecycle of the resource Unveiled: 2002 Contributor An entity responsible for making contributions to the resource Sophiedela ( Afro-European women’s movement ) Relation A related resource To read more about the monument, click <a href="https://publicart.amsterdam/en/projecten/nationaal-monument-slavernijverleden-2/" target="_blank" rel="noopener">here.</a> Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource English Type The nature or genre of the resource Visual Arts-Sculpture Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Oosterpark 9, 1091 HA Amsterdam, Netherlands Source A related resource from which the described resource is derived Wikipedia Commons https://community-sourcing-beta-test.slaverymonuments.org/files/original/6b38971fc4636a7c6a09c9074784a7e2.JPG bd7d5b3dc69ca7a32d3117d998651e23 https://community-sourcing-beta-test.slaverymonuments.org/files/original/29bd10a4eeaadaf29ad6b96dcc0e14f7.JPG 459d28965a4569840287ff255a1da29b https://community-sourcing-beta-test.slaverymonuments.org/files/original/a2d8b5d14d00e9f76a640968840357e3.JPG b14dc7036a2e66c6c3769c2123d1aec2 https://community-sourcing-beta-test.slaverymonuments.org/files/original/df699eaa55859e0c8e819253bbfc122b.JPG 5c2269bf39b1343d4fe802746c327e55 https://community-sourcing-beta-test.slaverymonuments.org/files/original/65d3ba20c0410f9284597d70e13c9c71.jpg 1cb389f4b119154fda5e4c54104038a1 https://community-sourcing-beta-test.slaverymonuments.org/files/original/b57a83a0196feb2b3e52ad68b8ef8944.jpg 791d946ad158b4c53067247b692beddf https://community-sourcing-beta-test.slaverymonuments.org/files/original/25def8acb75a3acf95ad39a255f415cc.JPG aa1162f105c784774ca6050c965ef48e https://community-sourcing-beta-test.slaverymonuments.org/files/original/368d66dcd63e135c9b3fdc5cd8587503.JPG 31d42747e1d4cda02228e0a07bf4a392 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Slavery Memorial (Brown University, Providence, RI) Subject The topic of the resource Subject (Topic) Slavery Northeastern United States Public art Public sculpture Subject (Object Type) Commemorative sculpture Description An account of the resource Located near University Hall, the oldest building on campus and constructed with the labor of enslaved persons, the memorial has two distinct features: a sculpture and a stone plinth. The sculpture consists of a massive ductile-iron chain, which emerges from a large iron dome. The links of the chain are broken and the iron dome, just visible as it peaks out of the earth, recalls the physical restraints of a ball and chain. A stone plinth with engraved text stands next to the sculpture. Creator An entity primarily responsible for making the resource Puryear, Martin Date A point or period of time associated with an event in the lifecycle of the resource Dedicated: September 27, 2014 Contributor An entity responsible for making contributions to the resource The Slavery and Justice Committee of Brown University Rights Information about rights held in and over the resource Brown University Relation A related resource To read more about the work, click <a href="https://www.brown.edu/about/public-art/martin-puryear-slavery-memorial" target="_blank" rel="noopener">here.</a> Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource English Type The nature or genre of the resource Visual Arts-Sculpture Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Manning Hall, 21 Prospect St, Providence, RI 02912, United States Source A related resource from which the described resource is derived Photographs by Renée Ater https://community-sourcing-beta-test.slaverymonuments.org/files/original/1b9f9d28475430765059a059a43787b2.jpg 7268cf848b31fc83b60b54a1c5e60661 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Sculpture Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sojourner Truth Memorial Statue (Florence, MA) Creator An entity primarily responsible for making the resource Warren, Thomas Jay Subject The topic of the resource Subject (Topic) Antislavery movements--United States Women's Suffrage Subject (Name) Truth, Sojourner, (c. 1797 – November 26, 1883) Subject (Object Type) Commemorative sculpture Description An account of the resource The life-size bronze figure of Sojourner Truth stands at the center of a square granite base. Truth is shown bespectacled, wearing a period-appropriate head covering, long scarf, and floor-length dress. Her arms are open at her side, in an inviting gesture. She holds a walking stick in her right hand. Source A related resource from which the described resource is derived <a href="https://sojournertruthmemorial.org/about-us/memorial-statue/" target="_blank" rel="noopener">Sojourner Truth Memorial Committee</a> Date A point or period of time associated with an event in the lifecycle of the resource Unveiled: October 6, 2002 Contributor An entity responsible for making contributions to the resource Sojourner Truth Memorial Statue Committee; Massachusetts Monument Grants program; Florence Savings Bank; Smith College; Community Foundation of Western Massachusetts; Denig Design Associates of Northampton Relation A related resource To learn more about the history of the work's commission, click <a href="https://www.massmoments.org/moment-details/northampton-dedicates-sojourner-truth-statue.html">here</a>. Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource English Type The nature or genre of the resource Visual Arts-Sculpture Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 121 Pine St, Florence, MA 01062 https://community-sourcing-beta-test.slaverymonuments.org/files/original/9b6e1ea09e6358b17f07b6e571bd9fc8.jpg 75db2a76eba351dbd55c3de2c8baa209 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Sculpture Physical Dimensions The actual physical size of the original image 144 in. (365.76 cm.) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sojourner Truth Monument (Battle Creek, MI) Creator An entity primarily responsible for making the resource Allen, Tina, (1950-2008) Subject The topic of the resource Subject (Topic) Antislavery movements--United States Women's Suffrage Subject (Name) Truth, Sojourner, (c. 1797 – November 26, 1883) Subject (Object Type) Commemorative sculpture Description An account of the resource The monumental bronze figure of Sojourner Truth stands behind a concave wall, on an elevated semi-circular stage. She stands to the left of a lectern, her left arm outstretched at her side as she looks out at an imagined audience. She places her right hand on the book that rests atop the lectern. Truth is shown bespectacled, wearing a scalloped-edge bonnet, fringed shawl, and floor-length dress. A bronze plaque describing Truth’s life and accomplishments is affixed to the front of the lectern. The concave wall behind Truth is embellished with bronze plaques bearing quotes from Truth. Source A related resource from which the described resource is derived <a href="http://michiganhistory.leadr.msu.edu/wp-content/uploads/sites/5/2015/11/20080807_94.jpg" target="_blank" rel="noopener">Michigan History</a> Date A point or period of time associated with an event in the lifecycle of the resource Dedicated: 1999 Contributor An entity responsible for making contributions to the resource Sojourner Truth Institute of Battle Creek; The United Arts Council of Calhoun County Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource English Type The nature or genre of the resource Visual Arts-Sculpture Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant N. Division St & Michigan Ave, Battle Creek, MI 49017, United States https://community-sourcing-beta-test.slaverymonuments.org/files/original/fc65d71125d21165f575a11bd44eafa2.jpg 789f06c71e1d8d5e5972812ed56689da Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Sculpture Physical Dimensions The actual physical size of the original image 72 in. (182.88 cm.) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sojourner Truth (San Diego, CA) Creator An entity primarily responsible for making the resource Brown, Manuelita Subject The topic of the resource Subject (Topic): Antislavery movements--United States Women's Suffrage Subject (Name): Truth, Sojourner, (c. 1797 – November 26, 1883) Subject (Object Type): Commemorative sculpture Description An account of the resource The life-size bronze figure of Sojourner Truth holds a bible in her right hand and handbag in her left. Clad in a simple, unstructured dress, bonnet, and shawl draped around her shoulders, Truth strides forward. Date A point or period of time associated with an event in the lifecycle of the resource Unveiled: Jan. 22, 2015 Contributor An entity responsible for making contributions to the resource UC San Diego; Vice Chancellor of Resource Management and Planning, the Vice Chancellor of Equity, Diversity and Inclusion, UCSD Alumni, the Black Resource Center Relation A related resource To watch a video of the work's unveiling, click <a href="https://www.youtube.com/watch?v=mxh_MQJ_mdk" target="_blank" rel="noopener">here</a>. Source A related resource from which the described resource is derived <a href="https://www.tripadvisor.com.ph/LocationPhotoDirectLink-g32578-d156632-i276453579-University_of_California_San_Diego-La_Jolla_San_Diego_California.html" target="_blank" rel="noopener">Trip Advisor</a> Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource English Type The nature or genre of the resource Visual Arts-Sculpture Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Thurgood Marshall College Campus, University of California at San Diego, CA https://community-sourcing-beta-test.slaverymonuments.org/files/original/9653d3f9cee2d7063549cfa5a591a1db.jpg de150f9a21ea8ebf789edb423bad517e Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sojourner (Sacramento, CA) Creator An entity primarily responsible for making the resource Catlett, Elizabeth, 1919-2012 Subject The topic of the resource Subject (Topic) Antislavery movements--United States Women's Suffrage Subject (Name) Truth, Sojourner, (c. 1797 – November 26, 1883) Subject (Object Type) Commemorative sculpture Description An account of the resource Unlike many sculptural representations of Sojourner Truth, Elizabeth Catlett’s work is geometrized and slightly abstracted. Truth is shown with her arms crossed at her chest as she tilts her head skyward, her eyes closed. The flared skirt of her form-fitting dress adds to the work's sense of upward movement. The stone is polished smooth, save for Truth’s hair, which, although abstracted, is shown uncovered in cropped curls. Date A point or period of time associated with an event in the lifecycle of the resource 1999 Contributor An entity responsible for making contributions to the resource City of Sacramento; Sacramento Metropolitan Arts Commission Relation A related resource To learn more about the history of this work, click <a href="http://www.sacmetroarts.org/Programs/Public-Art/Public-Art-Collection/Maintenance-Projects/Sojourner" target="_blank" rel="noopener">here</a>. Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource English Type The nature or genre of the resource Visual Arts-Sculpture Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Originally located at the Sacramento Convention Center (1400 J St, Sacramento, CA 95814), in 2013 it was vandalized and moved to the Crocker Art Museum (215 O Street, Sacramento, CA). Source A related resource from which the described resource is derived <a href="http://sacpedart.com/?p=3840" target="_blank" rel="noopener">Pedestrian Art, Sacramento</a>