8
10
107
-
https://community-sourcing-beta-test.slaverymonuments.org/files/original/6fc621e11cbdcf5a40e765d0a49899a1.jpg
5f0da841447df18bd30a04f8d0fe939a
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Sculpture
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Slavernijmonument (National Slavery Monument)</em> (Amsterdam, The Netherlands)
Subject
The topic of the resource
Subject (Topic)<br />Middle Passage<br />Transatlantic Slave Trade<br />Slave Trade<br />Amsterdam, Netherlands
Subject (Object Type)
Commemorative sculpture
Description
An account of the resource
<p class="p1"><span class="s1">Taken collectively, the elongated bronze figures of enslaved Africans evoke the hull of a ship. An over life-sized woman, her arms outstretched as she arches her body backward, recalls the ship’s prow. The stern of the ship is personified by a number of nude figures, staggering forward, tethered to one another by the shackles around their necks and wrists. The rough-hewn metal texture of the sculptural surface abstracts the individual features of each figure. The memorial commemorates the abolition of slavery in the Netherlands in 1863.</span></p>
Creator
An entity primarily responsible for making the resource
de Vries, Erwin, 1929-2018
Date
A point or period of time associated with an event in the lifecycle of the resource
Unveiled: 2002
Contributor
An entity responsible for making contributions to the resource
Sophiedela ( Afro-European women’s movement )
Relation
A related resource
To read more about the monument, click <a href="https://publicart.amsterdam/en/projecten/nationaal-monument-slavernijverleden-2/" target="_blank" rel="noopener">here.</a>
Format
The file format, physical medium, or dimensions of the resource
JPEG
Language
A language of the resource
English
Type
The nature or genre of the resource
Visual Arts-Sculpture
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Oosterpark 9, 1091 HA Amsterdam, Netherlands
Source
A related resource from which the described resource is derived
Wikipedia Commons
-
https://community-sourcing-beta-test.slaverymonuments.org/files/original/0aa704c3d4871292fe24003a6c3de47e.JPG
7b9d6a0d859ac1d837eb411e3ea81d44
https://community-sourcing-beta-test.slaverymonuments.org/files/original/4a05e37313c4a921d6b63b856b5cae74.jpg
8cfbf2a8a823ab3afd104b902b217217
https://community-sourcing-beta-test.slaverymonuments.org/files/original/e930604c02b40413abe4b83bc5c5e9ed.JPG
29c92d366e48efe88b4a85822444a1d3
https://community-sourcing-beta-test.slaverymonuments.org/files/original/e0932e517d6e3816b58345ec6a687c25.jpg
c9febadb59758bb06c9344960848692e
https://community-sourcing-beta-test.slaverymonuments.org/files/original/42b8db159e6d0dd36878602eed70c2f5.JPG
0caf289ad9d1162db57c98dcd2984c55
https://community-sourcing-beta-test.slaverymonuments.org/files/original/e91f08b2f3719d41011345cd405c05f8.JPG
581ccc98a61925a60094a32ce8864c71
https://community-sourcing-beta-test.slaverymonuments.org/files/original/507c5710cd945c8cf2853493ae046830.JPG
d26987c6387f6d9bf796364dd2163d6a
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Sculpture
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Captured Africans</em> (Lancaster, England)
Subject
The topic of the resource
Subject (Topic)<br />Middle Passage<br />Transatlantic Slave Trade<br />Slave Trade<br />Lancaster, United Kingdom
Subject (Object Type)<br />Commemorative sculpture
Description
An account of the resource
<p class="p1"><span class="s1">Six rectangular perspex blocks, suspended between a rectangular, stainless steel column and an oblong, stone column, rests on a circular base embellished with a mosaic and small metal sculptures. The work is meant to recall the decks of the transatlantic slave ships that carried enslaved Africans to the Americas. The six perspex blocks are inscribed with the names of the different commodity objects these ships transported to and from the Americas: wealth, cotton, rum, mahogany, sugar, and slaves. The stainless steel column lists many of the slave ships that departed from Lancaster and the number of slaves these vessels forcibly seized in Africa. Underscoring the history of these horrific nautical journeys, the mosaic depicts a map detailing the routes of the Transatlantic Slave Trade, while the metal figures personify the <span>trauma and violence of the Middle Passage.</span></span></p>
Creator
An entity primarily responsible for making the resource
Dalton-Johnson, Kevin (sculpture)
Date
A point or period of time associated with an event in the lifecycle of the resource
Unveiled: October 10, 2005
Contributor
An entity responsible for making contributions to the resource
Ann McArdle, (mosaics); Local young people (iron figures); Slave Trade Arts Memorial Project (STAMP); National Lottery (Millennium Commission)
Format
The file format, physical medium, or dimensions of the resource
JPEG
Language
A language of the resource
English
Type
The nature or genre of the resource
Visual Arts-Sculpture
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
St George's Quay Lancaster, United Kingdom
Source
A related resource from which the described resource is derived
Waymarking.com
-
https://community-sourcing-beta-test.slaverymonuments.org/files/original/7efdac5fd6301c863021bd3dd513b7e7.jpg
cf97227940141f6b75869162b0ba9dbf
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Building and Structures
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>International Slavery Museum</em> (Liverpool, England)
Subject
The topic of the resource
Subject (Topic)<br />Middle Passage<br />Transatlantic Slave Trade<br />Slave Trade<br />Liverpool, United Kingdom
Subject (Object Type)<br />History Museums
Description
An account of the resource
The museum, located on Liverpool’s Albert Docks, is close to the dry docks where 18th-century slave trading ships were repaired and fitted out. According to the museum’s director, David Fleming:<br /><br />“Our vision is to create a major new International Slavery Museum to promote the understanding of transatlantic slavery and its enduring impact. Our aim is to address ignorance and misunderstanding by looking at the deep and permanent impact of slavery and the slave trade on Africa, South America, the USA, the Caribbean, and Western Europe. Thus we will increase our understanding of the world around us."
Creator
An entity primarily responsible for making the resource
Redman Design
Date
A point or period of time associated with an event in the lifecycle of the resource
Opened: August 23, 2007
Contributor
An entity responsible for making contributions to the resource
National Lottery (Heritage Lottery Fund)
Relation
A related resource
<a href="http://www.liverpoolmuseums.org.uk/ism/about/" target="_blank" rel="noopener">International Slavery Museum</a>
Format
The file format, physical medium, or dimensions of the resource
JPEG
Language
A language of the resource
English
Type
The nature or genre of the resource
Building and Structures
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Liverpool L3 4AQ, United Kingdom
Source
A related resource from which the described resource is derived
YM Liverpool
-
https://community-sourcing-beta-test.slaverymonuments.org/files/original/d7af90a63c21d37c73bf8c773db015d6.jpg
c839d4a7bd90a2496d9eea1e67a9b9fb
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Sculpture
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Gaspar Yanga</em> (Yanga, Veracruz, Mexico)
Subject
The topic of the resource
Subject (Topic)<br />Slavery-Emancipation<br />Middle Passage<br />Transatlantic Slave Trade<br />Slave Trade<br />Diaspora<br />Yanga, Veracruz, Mexico
Subject (Name) <br />Yanga, Gaspar
Subject (Object Type) <br />Commemorative sculpture
Description
An account of the resource
The muscular, semi-nude figure looks resolutely forward as he raises a machete in his right hand and holds a long (sugar cane?) in his left. A shackle with a broken chain is still attached to his left wrist. The work was created to celebrate Gaspar Yanga, a 17th century self-emancipated (former slave) leader of a maroon colony of self-emancipated people (former slaves) near Veracruz, Mexico. He successfully resisted a Spanish attack on the maroon colony in 1609 and later negotiated with the Spanish colonial government to secure self-rule for the maroon settlement.
Relation
A related resource
To read about UNSECO's decision to name the city of Yanga, Veracruz a World Heritage Site, click <a href="http://imagine-mexico.com/yanga-veracruz-mexico/" target="_blank" rel="noopener">here.</a>
Format
The file format, physical medium, or dimensions of the resource
JPEG
Language
A language of the resource
English
Type
The nature or genre of the resource
Visual Arts-Sculpture
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Yanga Park, Av. 2, Centro, 94930 Yanga, Ver., Mexico
Creator
An entity primarily responsible for making the resource
Unknown
Source
A related resource from which the described resource is derived
Wikipedia Commons
-
https://community-sourcing-beta-test.slaverymonuments.org/files/original/44ed0c1a9a40f1d50ce4f0062bafe8bd.jpg
0ed7a24c1e095031c6af6517d3f8eb56
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>I Am Queen Mary</em> (Copenhagen, Denmark)
Subject
The topic of the resource
Subject (Topic)<br />Slavery<br />Resistance<br />Middle Passage<br />Transatlantic Slave Trade<br />Slave Trade; Diaspora<br />Copenhagen, Denmark
Subject (Name)<br />Thomas, Mary (Queen Mary), ca. 1848–1905
Subject (Object Type)
Commemorative sculpture
Description
An account of the resource
An imposing figure of a woman stares straight ahead, seated barefoot on a wide-backed chair. She holds a torch in one hand and a tool used to cut sugar cane in the other. The sculpture was inspired by Mary Thomas, one of the Three Queens of St Croix. Thomas, along with two other women, led an uprising in 1878 called the “Fireburn.” Fifty plantations and most of the town of Frederiksted in St. Croix were burned, in the largest labor revolt in Danish colonial history. <br /><br />Visually, the work reminds viewers of the long and sustained history of the black freedom struggle. According to the artists, the torch and the cane bill are symbols of colonial resistance, while Queen Mary's seated pose mirrors the 1967 photograph of <a href="http://behindthescenes.nyhistory.org/black-panthers-art-history/" target="_blank" rel="noopener">Huey P. Newton</a>, founder of <a href="http://www.pbs.org/independentlens/films/the-black-panthers-vanguard-of-the-revolution/">the Black Panther Party</a>.<br /><br />The statue’s plinth incorporates the coral foundations of historic buildings on St. Croix, which were cut from the ocean by enslaved Africans. The work's unveiling coincided with the centennial year commemorating Denmark's sale of the islands of St. Croix, St. John, and St. Thomas to the United States in 1917. The work sits in front of what was once a warehouse for Caribbean sugar and rum, and just over a mile from where Thomas was jailed after her arrest for her role in the labor uprising. Convicted of arson and looting and sentenced to death, her sentence was commuted to life imprison. In 1882 Thomas was transferred to <span class="s2">Copenhagen</span> and placed at the <span class="s2">Women</span><a href="https://en.wikipedia.org/wiki/Women%27s_Prison,_Christianshavn"><span class="s2">'</span></a><span class="s2"></span><span class="s2">s</span><span class="s2"> Prison, Christianshavn</span>, but in 1887 was sent back to <span class="s2">Christiansted</span>, St. Croix to serve the remainder of her sentence.
Creator
An entity primarily responsible for making the resource
Ehlers, Jeannette; Belle, La Vaughn
Date
A point or period of time associated with an event in the lifecycle of the resource
Unveiled: March 31, 2018
Contributor
An entity responsible for making contributions to the resource
The Municipality of Copenhagen; Wow Factory; 3D Printhuset; SMK; The National Gallery of Denmark; ActionAid, Denmark; Beckett-Fonden; the Danish Agency for Culture and Palaces
Relation
A related resource
To learn more about the artists and inspiration for the work, click <a href="https://www.iamqueenmary.com/" target="_blank" rel="noopener">here.</a>
Format
The file format, physical medium, or dimensions of the resource
JPEG
Language
A language of the resource
English
Type
The nature or genre of the resource
Visual Arts-Sculpture
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Toldbodgade 401253 København, Denmark
Source
A related resource from which the described resource is derived
Wikipedia Commons
-
https://community-sourcing-beta-test.slaverymonuments.org/files/original/33796efec1326865a5e0ab1ad54e7772.jpg
8d0138c991edbd2475e46f2aabd9bb47
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
African American History
Contributor
An entity responsible for making contributions to the resource
Renée Ater
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Sculpture
Physical Dimensions
The actual physical size of the original image
Approx: 132 in. (335.28 cm)
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>African-American Monument</em> (Savannah, GA)
Subject
The topic of the resource
<p>Subject (Topic)<br />American South<br />Georgia--History<br />Public art<br />Public sculpture<br />Savannah (Ga.)--History<br />Slavery<br />Slavery--Emancipation</p>
<p>Subject (Object Type)<br />Commemorative sculpture</p>
Description
An account of the resource
Sited on the tourist promenade of River Street, the work depicts a black family in contemporary dress. The father, mother, daughter, and son hold one another in a tight embrace as they stand on broken chains. Along the base of the work are engravings of ocean waves and two sets of chained hands.
Creator
An entity primarily responsible for making the resource
Spradley, Dorothy, 1946-
Date
A point or period of time associated with an event in the lifecycle of the resource
Dedicated: July 27, 2002
Contributor
An entity responsible for making contributions to the resource
Abigail Jordan and the African American Monument Association.
Format
The file format, physical medium, or dimensions of the resource
JPEG
Language
A language of the resource
English
Type
The nature or genre of the resource
Visual Arts-Sculpture
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Rousakis Riverfront Plaza, Savannah, Georgia, 31401, United States
Source
A related resource from which the described resource is derived
Photograph: Wikipedia Commons, <a href="https://en.wikipedia.org/wiki/File:African-American_Monument,_Savannah,_GA,_US.jpg" target="_blank" rel="noopener">https://en.wikipedia.org/wiki/File:African-American_Monument,_Savannah,_GA,_US.jpg</a>
Rights
Information about rights held in and over the resource
Greenscapes Division, Public Works & Water Resources, City of Savannah, 2 East Bay Street, Savannah, Georgia, 31401, United States
African American history
Dorothy Spradley
Georgia
slavery
-
https://community-sourcing-beta-test.slaverymonuments.org/files/original/5c14a352740f5f0171386213ac0e85d3.jpg
187f183b3c31c596341a12f45aa7b759
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>The Three Rebel Queens of the Virgin Islands</em> (Charlotte Amalie, St. Thomas, USVI)
Subject
The topic of the resource
Subject (Topic)<br />Slavery; Resistance<br />Middle Passage<br />Transatlantic Slave Trade<br />Slave Trade<br />Public art<br />Public sculpture<br />Charlotte Amalie, St. Thomas, USVI
Subject (Name) <br />Thomas, Mary (Queen Mary), ca. 1848–1905 <br />Queen Agnes <br />Queen Mathilda
Subject (Object Type) <br />Commemorative sculpture
Description
An account of the resource
Standing on a base made of stones of varied size and shape, the three women, the leaders of the Fireburn Revolt, face outward, forming a triangle. Dressed in floor-length dresses and aprons, each figure carries objects related to their resistance. One figure lifts a lantern in her right hand. The second figure holds a cane bill in her right hand and a torch in her left, while the third figure holds a torch in her right hand.
Creator
An entity primarily responsible for making the resource
Unkown
Format
The file format, physical medium, or dimensions of the resource
JPEG
Language
A language of the resource
English
Type
The nature or genre of the resource
Visual Arts-Sculpture
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Dronningens Gade, Charlotte Amalie, St Thomas 00802, USVI
Source
A related resource from which the described resource is derived
Wikipedia Commons
-
https://community-sourcing-beta-test.slaverymonuments.org/files/original/34148fdeedbcad9e4bbc07a795e6cc57.jpg
85ca261716a5786465e5718285542beb
https://community-sourcing-beta-test.slaverymonuments.org/files/original/18ceeda702521cdd79a9abaa35e81ec8.jpg
124accfeb0ec187cd6c14beedc9eb7d3
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Sculpture
Physical Dimensions
The actual physical size of the original image
264''
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Tower of Freedom</em> (Windsor, Ontario)
Subject
The topic of the resource
Subject (Topic)<br />Underground Railroad<br />Slavery-- Abolition<br />Slavery-- Emancipation<br />Resistance<br />Public art<br />Public sculpture, <br />Windsor, Ontario, Canada
Subject (Object Type)
Commemorative sculpture
Description
An account of the resource
The Canadian counter-part to Ed Dwight's<a href="https://www.community-sourcing-beta-test.slaverymonuments.org/admin/items/show/1170" target="_blank" rel="noopener"> <em>Gateway to Freedom</em></a>, <em>Tower of Freedom</em> consists of a twenty-two-foot high granite tower, adorned with a bronze flame symbolizing the “Eternal Flame of Freedom.” Life-size bronze figures stand on opposite sides of the tower’s base. The cluster of four bronze figures facing the river include an African American woman holding an infant and a white woman, often identified as a Quaker “operative.” Behind the women, a man stands with his arms raised in a gesture of praise. On the opposite side of the tower, a singular figure of a woman looks back towards the river and the United States. Despite her age, she clutches a rag doll.
Date
A point or period of time associated with an event in the lifecycle of the resource
Dedicated: October 20, 2001
Contributor
An entity responsible for making contributions to the resource
Detroit 300; The Underground Railroad Monument Committee of Windsor
Format
The file format, physical medium, or dimensions of the resource
JPEG
Language
A language of the resource
English
Type
The nature or genre of the resource
Visual Arts-Sculpture
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Civic Esplanade, 200 Pitt St. E., Windsor, Ontario, Canada
Creator
An entity primarily responsible for making the resource
Dwight, Ed, 1933-
Source
A related resource from which the described resource is derived
Jim Shreve, Flickr; The City of Winsor
-
https://community-sourcing-beta-test.slaverymonuments.org/files/original/979a2fb759f91704cd1d41a1e86f0939.jpg
811ab5bdd403345552a8c57aef6fb8c9
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>1763 Monument</em> (Georgetown, Guyana)
Subject
The topic of the resource
Subject (Topic)<br />Slavery; Resistance<br />Middle Passage<br />Transatlantic Slave Trade<br />Slave Trade<br />Public art<br />Public sculpture<br />Georgetown, Guyana
Subject (Name) <br />Cuffy (Coffy, Kofi or Koffi), d.1763
Subject (Object Type) <br />Commemorative sculpture
Description
An account of the resource
Unveiled three days before the 10th anniversary of Guyanese Independence, the work celebrates the Guyanese anti-colonial struggle, resistance against, and eventual emancipation from slavery. The work is dedicated to the memory of Cuffy, <span>an Akan man sold into slavery </span>who led a revolt against the Dutch owners of the Magdalenburg plantation on the Canje River in Berbice (now Guyana). Although the uprising was ultimately unsuccessful, Cuffy’s rebellion anticipated the eventual end of slavery in Guyana.
Creator
An entity primarily responsible for making the resource
Moore, Philip, 1921-2012
Date
A point or period of time associated with an event in the lifecycle of the resource
Unveiled: May 23, 1976
Contributor
An entity responsible for making contributions to the resource
Morris Singer Foundry
Format
The file format, physical medium, or dimensions of the resource
JPEG
Language
A language of the resource
English
Type
The nature or genre of the resource
Visual Arts-Sculpture
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Square of the Revolution Georgetown, Guyana
Source
A related resource from which the described resource is derived
Wikipedia Commons
-
https://community-sourcing-beta-test.slaverymonuments.org/files/original/0dad1ca43de90011a3f91d359a49f69c.jpg
94a1434de9310087ae7f18b06ed92918
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>L’Arbre de la Liberté</em> (Schoelcher, Martinque)
Subject
The topic of the resource
Subject (Topic)
Slavery--Resistance
Middle Passage
Transatlantic Slave Trade
Slave Trade
Public art
Public sculpture
Description
An account of the resource
Facing the Caribbean Ocean, the work consists of eight abstracted forms, some of which are rectilinear, and geometrize and others more curvilinear, with rounded organic forms. The bronze figures are embellished with symbols, which according to the sculptor, represent "the spirit of the liberated man."
Creator
An entity primarily responsible for making the resource
Guédon, Henri, 1944-2006
Date
A point or period of time associated with an event in the lifecycle of the resource
2001
Format
The file format, physical medium, or dimensions of the resource
JPEG
Language
A language of the resource
English
Type
The nature or genre of the resource
Visual Arts-Sculpture
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Place des Arawaks, Schoelcher, 97233, Martinique
Source
A related resource from which the described resource is derived
Comité National pour la Mémoire et l'Histoire de l' Esclavage