The life-size bronze figure of Sojourner Truth stands at the center of a square granite base. Truth is shown bespectacled, wearing a period-appropriate head covering, long scarf, and floor-length dress. Her arms are open at her side, in an inviting…
Located near University Hall, the oldest building on campus and constructed with the labor of enslaved persons, the memorial has two distinct features: a sculpture and a stone plinth. The sculpture consists of a massive ductile-iron chain, which…
Taken collectively, the elongated bronze figures of enslaved Africans evoke the hull of a ship. An over life-sized woman, her arms outstretched as she arches her body backward, recalls the ship’s prow. The stern of the ship is personified by a number…
Five nude torsos of enslaved Africans emerge from stone pillars, whose rough and pebbled texture resemble the stones that fill the concrete pit that surround them. The five cast concrete figures, all but one of whom are chained around the neck, are…
The work commemorates members of the 54th Volunteer Infantry, the first documented African American regiment to be formed during the Civil War. Colonel Shaw, the regiment’s leader, is shown on horseback with three rows of infantrymen marching behind…
Two nude figures, shown from the knees up, face one another as they gaze skyward. The two bronze figures of a man and woman stand in a cast-iron dome fountain.
The bronze torsos of two abstracted figures, engaged in a tight embrace, emerge from a rectangular bronze base. Unlike its Liverpudlian counterpart, this work includes the addition of bronze low-relief designs, reflecting images related to the slave…
The iron torsos of two abstracted figures, engaged in a tight embrace, emerge from a rectangular iron base. Two other identical sculptures were erected in 1989 in Belfast, Northern Ireland and Glasgow, Scotland. According to the artist, the works…
The bronze torsos of two abstracted figures, engaged in a tight embrace, emerge from a rectangular bronze base. Unlike its Liverpudlian counterpart, this work includes the addition of bronze low-relief designs, reflecting images related to the slave…
The work depicts an abstracted human figure, arms outstretched above their head, broken chains hanging from each wrist. Both the frontal and posterior planes of the body are painted black, while the sides of the body are painted white. A geometric,…