11
10
107
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Harriet Tubman Monuments
Creator
An entity primarily responsible for making the resource
Renée Ater
Contributor
An entity responsible for making contributions to the resource
Renée Ater
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Sculpture
Physical Dimensions
The actual physical size of the original image
68.4 in. (173.736 cm.)
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>Harriet Tubman</i> (fourth cast) (Ypsilanti, MI)
Subject
The topic of the resource
<p>Subject (Topic) <br />Abolitionist--United States<br />American Midwest<br />Antislavery movements--United States<br />Michigan--History<br />Public art<br />Public sculpture<br />Underground Railroad</p>
<p>Subject (Name) <br />Tubman, Harriet, 1822-1913</p>
<p>Subject (Object Type) <br />Commemorative sculpture</p>
Description
An account of the resource
Harriet Tubman is shown with a walking stick in her right hand and grasping the hand of a young boy with her left hand.
Creator
An entity primarily responsible for making the resource
DeDecker, Jane, 1961-
Source
A related resource from which the described resource is derived
Photograph, Wikimedia Commons, <a href="https://commons.wikimedia.org/wiki/File:Statue_of_Harriet_Tubman_Ypsilanti_Michigan.JPG" target="_blank" rel="noopener">https://commons.wikimedia.org/wiki/File:Statue_of_Harriet_Tubman_Ypsilanti_Michigan.JPG</a>
Date
A point or period of time associated with an event in the lifecycle of the resource
Dedication: May 21, 2006
Contributor
An entity responsible for making contributions to the resource
Friends of Ypsilanti District Library, Ypsilanti, Michigan; Ypsilanti Downtown Development Authority, Ypsilanti, Michigan; and Pfizer, Inc., Ypsilanti, Michigan
Rights
Information about rights held in and over the resource
Ypsilanti District Library, 229 West Michigan Avenue, Ypsilanti, Michigan, 48197, United States
Format
The file format, physical medium, or dimensions of the resource
JPEG
Language
A language of the resource
English
Type
The nature or genre of the resource
Visual Arts-Sculpture
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Ypsilanti District Library, 229 West Michigan Avenue, Ypsilanti, Michigan, 48197, United States
Relation
A related resource
<a href="https://www.community-sourcing-beta-test.slaverymonuments.org/items/show/5" target="_blank" rel="noreferrer noopener"><i>Harriet Tubman</i>, Las Sendas, Mesa, Arizona</a>
abolitionist
anti-slavery
Harriet Tubman
Jane DeDecker
Michigan
Underground Railroad
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Harriet Tubman Monuments
Creator
An entity primarily responsible for making the resource
Renée Ater
Contributor
An entity responsible for making contributions to the resource
Renée Ater
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Sculpture
Physical Dimensions
The actual physical size of the original image
68.4 in. (173.736 cm.)
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>Harriet Tubman</i> (second cast) (Brenau University, Gainesville, GA)
Subject
The topic of the resource
<p>Subject (Topic) <br />Abolitionist--United States<br />American South<br />Antislavery movements--United States<br />Public art<br />Public sculpture<br />Underground Railroad</p>
<p>Subject (Name) <br />Tubman, Harriet, 1822-1913</p>
<p>Subject (Object Type) <br />Commemorative sculpture</p>
Description
An account of the resource
Harriet Tubman is shown with a walking stick in her right hand and grasping the hand of a young boy.
Creator
An entity primarily responsible for making the resource
DeDecker, Jane, 1961-
Source
A related resource from which the described resource is derived
Photograph: Brenau University, <a href="https://update.brenau.edu/wp-content/uploads/2016/04/IMG_0007.jpg" target="_blank" rel="noopener">https://update.brenau.edu/wp-content/uploads/2016/04/IMG_0007.jpg</a>
Date
A point or period of time associated with an event in the lifecycle of the resource
1997
Rights
Information about rights held in and over the resource
Brenau University, 500 Washington St SE, Gainesville, Georgia, 30501, United States
Format
The file format, physical medium, or dimensions of the resource
JPEG
Language
A language of the resource
English
Type
The nature or genre of the resource
Visual Arts-Sculpture
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Thurmond McRae Lecture Hall, Brenau University, 625 Academy Street, Gainesville, Georgia, 30501, United States
Relation
A related resource
<a href="https://www.community-sourcing-beta-test.slaverymonuments.org/items/show/5" target="_blank" rel="noreferrer noopener"><em>Harriet Tubman</em>, Las Sendas, Mesa, Arizona</a>
abolitionist
anti-slavery
Georgia
Harriet Tubman
Jane DeDecker
Underground Railroad
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Harriet Tubman Monuments
Creator
An entity primarily responsible for making the resource
Renée Ater
Contributor
An entity responsible for making contributions to the resource
Renée Ater
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Sculpture
Physical Dimensions
The actual physical size of the original image
68.4 in. (173.736 cm.)
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>Harriet Tubman</i> (third cast) (Little Rock, AR)
Subject
The topic of the resource
<p>Subject (Topic) <br />Abolitionist--United States<br />South Central United States<br />Antislavery movements--United States<br />Public art<br />Public sculpture<br />Underground Railroad</p>
<p>Subject (Name) <br />Tubman, Harriet, 1822-1913</p>
<p>Subject (Object Type) <br />Commemorative sculpture</p>
Description
An account of the resource
Harriet Tubman is shown with a walking stick in her right hand and grasping the hand of a young boy with her left hand.
Creator
An entity primarily responsible for making the resource
DeDecker, Jane, 1961-
Source
A related resource from which the described resource is derived
Photograph: Public Art Archive: Harriet Tubman, Little Rock Arkansas, <a href="https://locate.publicartarchive.org/art/Harriet-Tubman?ib=ext" target="_blank" rel="noopener">https://locate.publicartarchive.org/art/Harriet-Tubman?ib=ext</a>
Date
A point or period of time associated with an event in the lifecycle of the resource
2004
Contributor
An entity responsible for making contributions to the resource
Dr. Dean Kumpuris, Little Rock Board of Directors, City of Little Rock, Little Rock, Arkansas; John Kinkade, National Sculptors’ Guild at Columbine Gallery, Little Rock, Arkansas; and Peggy and Haskell L. Dickinson (donors), Little Rock, Arkansas.
Rights
Information about rights held in and over the resource
City of Little Rock, 500 W. Markham Street, Little Rock, Arkansas, 72201, United States
Format
The file format, physical medium, or dimensions of the resource
JPEG
Language
A language of the resource
English
Type
The nature or genre of the resource
Visual Arts-Sculpture
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
764 President Clinton Avenue, Little Rock, Arkansas, 72201, United States
Relation
A related resource
<a href="https://www.community-sourcing-beta-test.slaverymonuments.org/items/show/5" target="_blank" rel="noreferrer noopener"><em>Harriet Tubman</em>, Las Sendas, Mesa, Arizona</a>
abolitionist
anti-slavery
Arkansas
Harriet Tubman
Jane DeDecker
Underground Railroad
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Harriet Tubman Monuments
Creator
An entity primarily responsible for making the resource
Renée Ater
Contributor
An entity responsible for making contributions to the resource
Renée Ater
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Sculpture
Physical Dimensions
The actual physical size of the original image
22 x 24 in. (55.88 x 60.96 cm.)
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>Swing Low: Harriet Tubman Memorial</i> (reduced version) (Scripps College, Claremont, CA)
Subject
The topic of the resource
<p>Subject (Topic) <br />Abolitionists--United States<br />Anti-slavery movements--United States<br />American West <br />California--History<br />Public art <br />Public sculpture <br />Underground Railroad</p>
<p>Subject (Name) <br />Tubman, Harriet, 1822-1913</p>
<p>Subject (Object Type) <br />Commemorative scupture</p>
Creator
An entity primarily responsible for making the resource
Saar, Alison, 1956-
Description
An account of the resource
Portrait sculpture of Harriet Tubman based on the full-scale <i>Swing Low: Harriet Tubman Memorial</i> in New York City.
Source
A related resource from which the described resource is derived
Photograph: Scripps College, <a href="https://www.scrippscollege.edu/news/releases/scripps-college-to-dedicate-sculpture-of-harriet-tubman-for-new-sculpture-garden" target="_blank" rel="noopener">https://www.scrippscollege.edu/news/releases/scripps-college-to-dedicate-sculpture-of-harriet-tubman-for-new-sculpture-garden</a>
Date
A point or period of time associated with an event in the lifecycle of the resource
Dedication: March 10, 2010
Contributor
An entity responsible for making contributions to the resource
Installation made possible with gifts from Jacqueline Avant, Carol Vernon, and Robert Turbin
Rights
Information about rights held in and over the resource
Scripps College, 1030 Columbia Avenue, Claremont, California, 91711, United States
Relation
A related resource
<a href="https://www.community-sourcing-beta-test.slaverymonuments.org/items/show/12" target="_blank" rel="noreferrer noopener"> <i>Swing Low: Harriet Tubman Memorial</i>, New York City, New York</a>
Format
The file format, physical medium, or dimensions of the resource
JPEG
Language
A language of the resource
English
Type
The nature or genre of the resource
Visual Arts-Sculpture
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Bixby Court, Ruth Chandler Williamson Gallery, 251 E 11 Street, Claremont, California, 91711, United States
abolitionist
Alison Saar
anti-slavery
California
Harriet Tubman
Underground Railroad
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Cemeteries and Memorial Parks
Contributor
An entity responsible for making contributions to the resource
Renée Ater
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Sculpture
Physical Dimensions
The actual physical size of the original image
216 in. (548.64 cm.)
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>The Path of Thorns and Roses </i>(Contraband and Freedmen Cemetery Memorial, Alexandria, VA)<i><br /></i>
Subject
The topic of the resource
Subject (Topic) <br />African Americans--Virginia<br />Alexandria (Va.)--History<br />American South<br />Cemeteries--Virginia<br />Freedmen--Virginia<br />Fugitive slaves--United States <br />Public art <br />Public sculpture
<p>Subject (Object Type) <br />Commemorative sculpture</p>
Description
An account of the resource
<p><em>The Path of Thorns and Roses</em> is an 18-foot high sculpture that spirals upwards and includes six allegorial figures: Oppression (a semi-nude male figure), Struggle (a semi-nude male figure at the base of the sculpture), Sacrifice (a woman who grasps the limp body of a child), Loss (a woman enfolded onto herself), and Compassion (a woman holding a baby and reaching towards Loss). Hope, a man with a bald head, stands on his toes within a large circle of thorns. The figure of Hope holds an unbloomed rose in his outstretched hands. Alongside the statue is a four-walled structure, “The Place of Remembrance,” the includes the names of individuals interred at the site as well as historical information on African Americans in Alexandria during the Civil War. Limestone blocks mark individual graves.</p>
Creator
An entity primarily responsible for making the resource
Chiodo, Mario, 1961-
Source
A related resource from which the described resource is derived
Photographs by Renée Ater
Date
A point or period of time associated with an event in the lifecycle of the resource
Dedication: September 6, 2014
Contributor
An entity responsible for making contributions to the resource
C. J. Howard, RA (original design); Joanna Blake (sculptor, bas-reliefs); AECOM (formerly EDAW); Howard + Revis Design; City of Alexandria; Friends of Freedmen's Cemetery; and Alexandria Commission for the Arts.
Rights
Information about rights held in and over the resource
City of Alexandria, Alexandria City Hall, 301 King Street, Alexandria, Virginia, 22314, United States
Format
The file format, physical medium, or dimensions of the resource
JPEG
Language
A language of the resource
English
Type
The nature or genre of the resource
Visual Arts-Sculpture
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1001 S. Washington Street, Alexandria, Virginia, 22314, United States
Relation
A related resource
<a href="https://www.google.com/maps/@38.7943747,-77.0493801,3a,90y,43.15h,89.8t/data=!3m8!1e1!3m6!1sAF1QipOKqUR1lTAjAOfveVbI8WWlG-GgEXeYXNq5ZOSA!2e10!3e11!6shttps:%2F%2Flh5.googleusercontent.com%2Fp%2FAF1QipOKqUR1lTAjAOfveVbI8WWlG-GgEXeYXNq5ZOSA%3Dw234-h106-k-no-pi-0-ya0-ro-0-fo100!7i10872!8i5436" target="_blank" rel="noreferrer noopener"> Virtual Tour of Contrabands and Freedmen Cemetery Memorial on Google 360 virtual tours</a>
archaeology
black cemetery
Civil War
contrabands
freedmen
Mario Chiodo
slavery
Virginia
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Cemeteries and Memorial Parks
Contributor
An entity responsible for making contributions to the resource
Renée Ater
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Sculpture
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
African Burying Ground Memorial (<em>We Stand in Honor of Those Forgotten</em>) (Portsmouth, NH)
Subject
The topic of the resource
<p>Subject (Topic)<br />African Americans--New Hampshire--History<br />Cemeteries--New Hampshire<br />New Hampshire--History<br />Northeastern United States<br />Public art<br />Public sculpture<br />Slavery</p>
<p>Subject (Object Type)<br />Commemorative sculpture</p>
Description
An account of the resource
<p>The memorial is composed of a number of distinct elements. A rectangular granite stele on State Street marks the memorial’s entrance. On one side, below the engraved text that reads “African Burying Ground Memorial,” a life-size bronze figure of a man stands with his back against the stone stele. His left-hand reaches out and back, towards the other side of the stele. On the opposite side, a life-size bronze figure of a woman mirrors the gesture of her male counterpart. The sculptor, Jerome Meadows, leaves a gap between the outstretched hands of the two figures. <br /><br />On the opposite end of the memorial, a group of eight life-size vertical bronze and concrete silhouettes, each inscribed with a line from a poem written by Meadows, stand in a semi-circle around the burial vault. The figural group is surrounded by a metal railing, embellished with ceramic tiles. The design of the 110 ceramic tiles is inspired by Kinte cloth patterns and based on the original drawings created in a workshop Meadows facilitated with students from a local middle school. The burial vault contains the re-interred remains of the 13 individuals found on the site in 2003. The vault is marked with a Sankofa, a West African Adinkra symbol that means “Return and Get It — Learn from the Past.” <br /><br />The sculptural groups are connected by the “Petition Line,” a ribbon of pinks stone, which contrasts with the gray stone walkway of the memorial. The Petition Line contains excerpts from a formal document submitted to the New Hampshire legislature in 1779 by 20 enslaved individuals petitioning for their freedom. To the right is an information marker that provides visitors with the historical context for the memorial, as well as the poem by Meadows - <em>I Stand For Those Forgotten</em>.</p>
Creator
An entity primarily responsible for making the resource
Meadows, Jerome, 1951-
Date
A point or period of time associated with an event in the lifecycle of the resource
2015
Contributor
An entity responsible for making contributions to the resource
Portsmouth City Council; African Burying Ground Committee; Roberta Woodburn, Woodburn & Company Landscape Architecture; community members; Portsmouth school children; and various non-profit partners including the Portsmouth Black Heritage Trail, Inc., the Seacoast African American Cultural Center, the Portsmouth Historical Society, and Art-Speak.
Format
The file format, physical medium, or dimensions of the resource
JPEG
Language
A language of the resource
English
Type
The nature or genre of the resource
Visual Arts-Sculpture
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Portsmouth African Burying Ground, 97 Chestnut Street (between Court and State Streets), Portsmouth, New Hampshire, 03801, United States
Source
A related resource from which the described resource is derived
Photographs by Sally Promey
archaeology
black cemetery
Jerome Meadows
New Hampshire
slavery
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https://community-sourcing-beta-test.slaverymonuments.org/files/original/0281f6eaec9032856d5dc5da024171df.jpg
8ceda212f9be8aafcdaa6b0c7258b48b
https://community-sourcing-beta-test.slaverymonuments.org/files/original/62bf991e87b188e15511b4c445f8a87d.jpg
d513f0e17319b9a0eaf62ec3fa295f26
https://community-sourcing-beta-test.slaverymonuments.org/files/original/dcebb7bed6553c8e7be39fc267ff279f.jpg
5c2a2799cd82b8bceb361dbc66e5d943
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Schematic drawings
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Planned <em>Memorial for Enslaved Laborers</em> (The University of Virginia, Charlottesville, VA)
Subject
The topic of the resource
Subject (Topic)<br />Slavery<br />Northeastern United States<br />Public art<br />Public sculpture
Subject (Object Type)<br />Commemorative sculpture
Description
An account of the resource
According the artists, historians and architects involved with the project, they seeks to create:<br /><br />"The design of a new <em>Memorial to Enslaved African American Laborers</em> on the grounds of the University of Virginia marks a critical moment to address the complex history of the University—and of the country. <em>The Memorial to Enslaved Laborers</em> responds to a deep need to address an untold and uncomfortable history - one that is still very much a difficult, though necessary, national conversation on race. It is vital to highlight those African American historical sites, ones that are often hiding in plain sight. <br /><br />UVA’s <em>Memorial to Enslaved Laborers</em> should create a physical place of remembrance and a symbolic acknowledgement of a difficult past. The memorial should become a place of learning as well as a place of healing. The memorial must address multiple constituencies on UVA grounds and within the Charlottesville community, in particular the descendants of African Americans who built, worked, and lived at the University.” <br /><br />The memorial is part of a larger, ongoing process at the University spearheaded by the President's Commission on Slavery and the University (PCSU). PCSU began in 2013, guided by the work of groups such as Memorial for Enslaved Laborers (MEL), the UVA IDEA (Inclusion Diversity Equity Access) Fund, and University and Community Action for Racial Equity (UCARE).
Creator
An entity primarily responsible for making the resource
Yoon , Meejin <br />Wilson, Mable O.<br />Bleam, Greg Dukes<br />Frank and Otitigbe, Eto
Date
A point or period of time associated with an event in the lifecycle of the resource
Forthcoming
Contributor
An entity responsible for making contributions to the resource
University of Virginia, Charlottesville; UVA's President's Commission on Slavery and the University of Virginia
Source
A related resource from which the described resource is derived
<a href="https://slavery.virginia.edu/memorial-for-enslaved-laborers/" target="_blank" rel="noopener">Memorial to Enslaved Laborers</a>, President's Commission on Slavery and the University, University of Virginia