6 10 107 https://community-sourcing-beta-test.slaverymonuments.org/files/original/35ad99ea696a2e43165857add51a31f2.jpeg a3d7998b52440834d79a0514751589bc https://community-sourcing-beta-test.slaverymonuments.org/files/original/e3605809f4e521b586a4e855540b7963.jpg 68e96b6653c61fca9fef2c96b2a3eead Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cemeteries and Memorial Parks Contributor An entity responsible for making contributions to the resource Renée Ater Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Sculpture Physical Dimensions The actual physical size of the original image 250 feet (76.2 meters) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource African Burial Ground National Monument (New York City) Subject The topic of the resource Subject (Topic) African Americans--New York Cemeteries--New York New York City--History Northeastern United States Public art Public sculpture Slave trade Slavery--New York (State) Subject (Object Type) Commemorative sculpture Description An account of the resource The memorial sits on .35 acres and includes seven distinct design features: Wall of Remembrance, Ancestral Re-Interment Grove, Memorial Wall, The Ancestral Chamber, Circle of the Diaspora, Spiral Processional Ramp, and The Ancestral Libation Court. The visitor is invited to walk through the monumental triangular structure known as “The Ancestral Chamber,” which represents the Middle Passage across the Atlantic Ocean. After passing through the chamber, the visitor encounters a spiral memorial wall featuring twenty religious symbols including a number of Adinkra symbols (Akan peoples, Ghana). The floor of the monument includes a world map centered on the West African coast with sun rays radiating towards North America, Brazil, Europe, and the Caribbean Islands. Creator An entity primarily responsible for making the resource Leon, Rodney, 1972- Hollant-Denis, Nicole, 1965- Date A point or period of time associated with an event in the lifecycle of the resource Dedicated: October 5, 2007 Contributor An entity responsible for making contributions to the resource Monica Aliaga-Robles (project architect); Robert Silman Associates (structural engineer); Langan Engineering (civil engineer); Elizabeth Kennedy Landscape Architects; Domingo Gonzales Associates (lighting design); Dr. Gerald Palevsky (fountain); General Services Administration; Federal Steering Committee; African-American descendant community; and the National Park Service. Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource English Type The nature or genre of the resource Visual Arts-Sculpture Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 290 Broadway, New York, New York, 10007, United States Source A related resource from which the described resource is derived Photograph: National Park Service, <a href="https://www.nps.gov/media/photo/gallery.htm?pg=3570929&id=19CBA11C-155D-451F-67AA7B78DDDCB3A4" target="_blank" rel="noopener">https://www.nps.gov/media/photo/gallery.htm?pg=3570929&id=19CBA11C-155D-451F-67AA7B78DDDCB3A4</a> Rights Information about rights held in and over the resource National Park Service, U.S. Department of the Interior, 1849 C Street, NW, Washington, DC, 20240, United States archaeology black cemetery New York City Rodney Leon slavery https://community-sourcing-beta-test.slaverymonuments.org/files/original/879b5eaaa83b6918da900635fc41b220.jpg 4161a04a0e79cfee7b993fd372a9a264 https://community-sourcing-beta-test.slaverymonuments.org/files/original/e5d7801aac2539f1314b68d6ecdebda7.jpg fa85d897dca47c2d617868fe42e95cc7 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Sculpture Physical Dimensions The actual physical size of the original image 360'' (914.4 cm) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Knockin’ On Freedom’s Door (Peoria, IL) Subject The topic of the resource Subject (Topic) Antislavery movements--United States Fugitive slaves--United States Underground Railroad Slavery-- Abolition American Midwest Subject (Name) Pettengill, Moses,1802-1883 Pettengill, Lucy,1802-1864 Lincoln, Abraham, 1809-1865 Subject (Object Type) Commemorative sculpture Description An account of the resource Preston Jackson‘s monumental bronze and stainless steel Knockin’ on Freedom’s Door is located on the site of the former Pettengill House in Peoria, an important station on the Underground Railroad. The work features multiple bronze sculptural groups within a stainless steel frame. The sculptural grouping includes a male and female freedom seeker, climbing out of a small rowboat as two white members of the Underground Railroad look down upon the pair. The pair of Underground Railroad conductors are presumably Moses and Lucy Pettengill. Moses holds a bucket of water in one hand and a ladle in the other, while Lucy clutches at her chest. At the very top of the sculpture, looking down over the scene is a portrait of Abraham Lincoln in profile. Creator An entity primarily responsible for making the resource Jackson, Preston Date A point or period of time associated with an event in the lifecycle of the resource Dedicated: October 24th, 2008 Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource English Type The nature or genre of the resource Visual Arts-Sculpture Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Peoria Civic Center, 201 SW Jefferson Ave, Peoria, IL 61602, United States Source A related resource from which the described resource is derived Chicago-outdoor-sculptures.blogspot.com https://community-sourcing-beta-test.slaverymonuments.org/files/original/91db44edf397c9774e367140c318c3bc.jpeg 308b33c70bee72e8c7572d15a418f15f https://community-sourcing-beta-test.slaverymonuments.org/files/original/95427215a43206452163900c59b1dd0e.jpeg ca14ad0329f241d6dcdf22f43efb5c41 https://community-sourcing-beta-test.slaverymonuments.org/files/original/ad3d20deea72c87eb8be0bf551d2a484.jpeg f67046d4f6ae7ca196b2355a8d9b23d6 https://community-sourcing-beta-test.slaverymonuments.org/files/original/95896d333ec69b20995a84a3d2014d25.jpeg be3c23b1eaf5e6c9b7bcd0498ca3ee78 https://community-sourcing-beta-test.slaverymonuments.org/files/original/761e98f78c4426efc646360041acacf9.jpeg bd04ee425b37d3df822dba31e90e749c https://community-sourcing-beta-test.slaverymonuments.org/files/original/a26c1993d1d0f231695a235570105e2b.jpeg a22fd3189966d532e14823e30f091642 https://community-sourcing-beta-test.slaverymonuments.org/files/original/f67151d1f37b048ddd84efce06b081a7.jpeg f74bb9b3f17d7070f031e831b27e4d84 https://community-sourcing-beta-test.slaverymonuments.org/files/original/56d17e86f9ec04bea2d389ef3baeaf91.jpeg ff9694f75125f4a7b1598fbd9cde0b0b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Frederick Douglass Monuments Creator An entity primarily responsible for making the resource Renée Ater Contributor An entity responsible for making contributions to the resource Renée Ater Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Sculpture Physical Dimensions The actual physical size of the original image Unknown Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Let's Have Tea (Rochester, NY) Creator An entity primarily responsible for making the resource Kettavong, Pepsy M., 1972- Subject The topic of the resource Subject (Topic): Abolitionists--United States Anti-slavery movements--United States Public art Public sculpture New York--History Northeastern United States Women's suffrage Subject (Name): Douglass, Frederick, 1818-1895 Anthony, Susan B., 1820-1806 Subject (Object Type): Commemorative sculpture Description An account of the resource Seated in simple wooden chairs, Frederick Douglass and Susan B. Anthony engage in conversation over tea. On a table between them sits a tea pot, to tea cups and saucers, and two books. Douglass leans forward, his gaze cast slightly downward, listening intently to Anthony, who sits upright in her chair. Date A point or period of time associated with an event in the lifecycle of the resource Installed: 2001 Contributor An entity responsible for making contributions to the resource Susan B. Anthony Neighborhood Association and City of Rochester, NY. Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource English Type The nature or genre of the resource Visual Arts-Sculpture Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Susan B. Anthony Square Park, 39 King Street, Rochester, New York, 14608, United States Source A related resource from which the described resource is derived Photographs by Renée Ater Rights Information about rights held in and over the resource City of Rochester, City Hall, 30 Church Street, Rochester, New York, 14614, United States abolitionist anti-slavery Frederick Douglass New York Pepsy Kettavong women's suffrage https://community-sourcing-beta-test.slaverymonuments.org/files/original/2d6dbf6b56bec62789c06c3380744772.jpeg 62459da73c6343c4a775547032b6c892 https://community-sourcing-beta-test.slaverymonuments.org/files/original/f3318a4aac9eb56e69b5d30b4b334c57.jpeg 54b899dc314c31a08f19189e7510ec25 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Frederick Douglass Monuments Creator An entity primarily responsible for making the resource Renée Ater Contributor An entity responsible for making contributions to the resource Renée Ater Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Sculpture Physical Dimensions The actual physical size of the original image 80.4 in. (204.22 cm.) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Frederick Douglass (Rochester, NY) Creator An entity primarily responsible for making the resource Kim, Olivia, 1979- Subject The topic of the resource Subject (Topic) Abolitionists--United States Anti-slavery movements--United States New York--History Northeastern United States Public art Public sculpture Slavery--New York Subject (Name) Douglass, Frederick, 1818-1895 Subject (Object Type) Commemorative sculpture Description An account of the resource To mark the bicentennial of Frederick Douglass’ birth, the City of Rochester, NY, commissioned Olivia Kim to create thirteen live-size portraits of Douglass, placing them throughout the city at sites significant to Douglass’s life and work. Kim took inspiration from Stanley W. Edwards’ 19th-century statue of Douglass, originally erected in front of the old New York Central Train Station in Rochester, NY. Although the works are fiberglass, Kim recreated the patinated bronze of Edward’s original work.  Like Edward's original work, Douglass’ arms are slightly outstretched, his palms open upward. Kim used the hands of Kenneth B. Morris Jr., the great-great-great-grandson of Douglass, to create the hands of Douglass in her own work. Date A point or period of time associated with an event in the lifecycle of the resource Dedicated: July 19, 2018 Contributor An entity responsible for making contributions to the resource Rochester Community Media Center (Carven Eison); Rochester Contemporary Art Center (Bleu Cease); Frederick Douglass Family Initiatives; and Frederick Douglass Bicentennial Commemoration Committee. Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource English Type The nature or genre of the resource Visual Arts-Sculpture Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant School 12: Anna Murray Douglass Academy, 999 South Avenue, Rochester, New York, 14620, United States Source A related resource from which the described resource is derived Photographs by Renée Ater Relation A related resource <a href="https://www.community-sourcing-beta-test.slaverymonuments.org/items/show/1195" target="_blank" rel="noopener">Stanley W. Edwards, Frederick Douglass, 1899</a> Rights Information about rights held in and over the resource City of Rochester, Department of Environmental Services, 30 Church Street, Rochester, New York, 14614, United States abolitionist anti-slavery community project Frederick Douglass New York Oliva Kim https://community-sourcing-beta-test.slaverymonuments.org/files/original/ca66799a49407e8ec8a348e60bf561ec.jpg 2f0bd0145391af4ed1058f00e5db9510 https://community-sourcing-beta-test.slaverymonuments.org/files/original/b0c7652215450fa42149fa3209e8d1b2.jpg 160488037238f543465d47540bbcf83b https://community-sourcing-beta-test.slaverymonuments.org/files/original/75b0d7008e040d0e34ca7578ad93157c.jpg 359aa9863bc11aeaacc6ab55c6a2259b https://community-sourcing-beta-test.slaverymonuments.org/files/original/935c6d58a8ca3933f27bd871abfaf03e.jpg 8f7568eb063c3381d0093e34c76df515 https://community-sourcing-beta-test.slaverymonuments.org/files/original/f765f5b33795abde0f2a9da42d9baa67.jpg e602fa93131e4b9f6132c8f281c95230 https://community-sourcing-beta-test.slaverymonuments.org/files/original/5852858a37f214c54e9dd01e3453e81a.jpg dfce99f437bd9f4a49a0e27baf607f13 https://community-sourcing-beta-test.slaverymonuments.org/files/original/c72fe3c63040af484604a8333baa522a.jpg 0fc592ff8823ec812256d9561c9c78ea https://community-sourcing-beta-test.slaverymonuments.org/files/original/3514f766ba42f2a300e833eea291eda9.jpg 39f68c7a3615bce636e618f57acb2413 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Frederick Douglass Monuments Creator An entity primarily responsible for making the resource Renée Ater Contributor An entity responsible for making contributions to the resource Renée Ater Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Sculpture Physical Dimensions The actual physical size of the original image 96 in. (243.84 cm.) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Frederick Douglass Memorial (New York City) Creator An entity primarily responsible for making the resource Koren, Gabriel, 1947- Miller, Algernon, 1945- Subject The topic of the resource Subject (Topic) Abolitionists--United States Antislavery movements--United States Public art Public sculpture New York--History Northeastern United States Slavery--New York (State) Subject (Name) Douglass, Frederick, 1818-1895 Subject (Object Type) Commemorative sculpture Description An account of the resource Standing to the right of a lectern, Gabriel Koren modeled Frederick Douglass is depicted as an elder statesman, with a furrowed brow and a deeply lined face. Resting his right hand atop the lectern, Douglass’ mouth is closed as he stares resolutely forward. Algernon Miller designed the granite seating and paving patterns, which are based on traditional African-American quilt motifs, as well as a bronze perimeter fence with a wagon wheel motif. Miller also created a bronze water wall that shows the Big Dipper constellation with the North Star. Quotations from Douglass embellish the site. Source A related resource from which the described resource is derived Photographs by Renée Ater Date A point or period of time associated with an event in the lifecycle of the resource Dedication: September 20, 2011 Contributor An entity responsible for making contributions to the resource NYC Percent for Art, NYC Department of Cultural Affairs; Mark Bunnell of Quenell Rothschild & Partners (landscape architects); and Polich-Tallix (foundry). Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource English Type The nature or genre of the resource Visual Arts-Sculpture Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Central Park North and Frederick Douglass Boulevard, New York, New York, 10026, United States Rights Information about rights held in and over the resource NYC Parks, The Arsenal, Central Park, 830 Fifth Avenue, New York, New York, 10065, United States abolitionist Algernon Miller anti-slavery Central Park Frederick Douglass Gabriel Koren New York City https://community-sourcing-beta-test.slaverymonuments.org/files/original/964f968fd9da508c144d98566bf34974.jpg f3a9f83bb04f5b031adbdbc10a75771c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Frederick Douglass Monuments Creator An entity primarily responsible for making the resource Renée Ater Contributor An entity responsible for making contributions to the resource Renée Ater Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Sculpture Physical Dimensions The actual physical size of the original image 96 in. (243.84 cm.) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Frederick Douglass (Morgan State University, Baltimore, MD) Creator An entity primarily responsible for making the resource Lewis, James Edward, 1923-1997 Subject The topic of the resource Subject (Topic) Abolitionists--United States Anti-slavery movements--United States Maryland--History Middle Atlantic States Public art Public sculpture Slavery--Maryland Subject (Name) Douglass, Frederick, 1818-1895 Subject (Object Type) Commemorative sculpture Description An account of the resource Caught mid-stride, the over life-size bronze statue of Frederick Douglass stands in front of Holmes Hall on the campus of Morgan State University, a historically black university in Baltimore, MD. The bearded Douglass holds a cane in his right hand as he steps forward on his right foot. Source A related resource from which the described resource is derived Photograph: Wikipedia Commons, <a href="https://en.wikipedia.org/wiki/File:Frederick_Douglass_Statue,_Morgan_State_University,_1700_E._Coldspring_Lane,_Baltimore,_MD_21251_(33520859023).jpg" target="_blank" rel="noopener">https://en.wikipedia.org/wiki/File:Frederick_Douglass_Statue,_Morgan_State_University,_1700_E._Coldspring_Lane,_Baltimore,_MD_21251_(33520859023).jpg</a> Date A point or period of time associated with an event in the lifecycle of the resource Dedicated: February 20, 1956 Contributor An entity responsible for making contributions to the resource Maryland Educational Association; Children in Colored Schools; and the Citizens of Maryland. Rights Information about rights held in and over the resource Morgan State University, 1700 East Cold Spring Lane, Baltimore, Maryland, 21251, United States Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource English Type The nature or genre of the resource Visual Arts-Sculpture Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Holmes Hall, Morgan State University, 1700 East Cold Spring Lane, Baltimore, Maryland, 21251, United States abolitionist anti-slavery Frederick Douglass HBCU James E. Lewis Maryland universities and slavery https://community-sourcing-beta-test.slaverymonuments.org/files/original/fb692a79f17d643de96f1323497a7f84.jpeg 456646b64d2183fb91d0c010a035ccdf https://community-sourcing-beta-test.slaverymonuments.org/files/original/f074b4e55b5c8c79c7a28bc6a82ee29a.jpeg 84fe61fda6bc488ed32631b33f2729a6 https://community-sourcing-beta-test.slaverymonuments.org/files/original/24c49eea95c88844ee25238420698d90.jpeg 1aa967e33444c3de3c90823d22cf295a https://community-sourcing-beta-test.slaverymonuments.org/files/original/d060a46e4405cf3f36e18dfa46d5f94a.jpeg 4caca941f2ee0190b0895e250c5ddbe7 https://community-sourcing-beta-test.slaverymonuments.org/files/original/0892e7b036b2eac3ccc360e13ef634b5.jpeg 879cdabd9334287de838fc1055f0ff29 https://community-sourcing-beta-test.slaverymonuments.org/files/original/ca828d8f156ce5c7fd692106fd5de077.jpeg f378eca583bdb443e1d6f7375f1803cd https://community-sourcing-beta-test.slaverymonuments.org/files/original/c30c4456879a54b6c6bd846b8925cc0c.jpeg eecca1d0e86170feac1b7feee3508284 https://community-sourcing-beta-test.slaverymonuments.org/files/original/9858fd099f3175337597418424411677.jpeg e11977324a66cee3cea2d8db1839c53c https://community-sourcing-beta-test.slaverymonuments.org/files/original/a5eb8d35bb0806dbe6088b409794d807.jpeg 7a42081377dd1f41df05fc5a1801a5d3 https://community-sourcing-beta-test.slaverymonuments.org/files/original/8696003bb6a5656fb187c25a63d026a0.jpeg 0f6b02c244b43f981b4ab0ed17d66bdb https://community-sourcing-beta-test.slaverymonuments.org/files/original/1a507bf13145789b2457494de495d5a0.jpeg f77580bcdb76e51bc2cdd79e71ad1bb9 https://community-sourcing-beta-test.slaverymonuments.org/files/original/769c42430eb9be9e8434f1b93c69b9dd.jpeg 486b18b0841af6f1b219b25d5ffbe935 https://community-sourcing-beta-test.slaverymonuments.org/files/original/e063b8d8090b26dbf01e07e47aa2c18f.jpeg 51ef9ac3197516980005aa198c136328 https://community-sourcing-beta-test.slaverymonuments.org/files/original/bfc6a8dc1f72e54e83e6746502153a10.jpeg 7a6518e3d95a98dfec6a013fe36edd27 https://community-sourcing-beta-test.slaverymonuments.org/files/original/051aee4e4b689850b0ccb50f63ce7046.jpeg a21790d318f5b3a1fa0b064a685bb721 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Emancipation Monuments Contributor An entity responsible for making contributions to the resource Renée Ater Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Sculpture Physical Dimensions The actual physical size of the original image Various sizes Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Corinth Contraband Camp (Corinth, MS) Subject The topic of the resource Subject (Topic) American South Civil War Corinth (Miss.) Fugitive slaves--United States Mississippi--History Public art Public sculpture Refugee camps--Southern States--History--19th century Slaves--Emancipation--United States Subject (Object Type) Commemorative sculpture Description An account of the resource Eight life-size bronze statues (in six groupings) commemorate the formerly enslaved persons who escaped from the South and sought safety and freedom behind Union lines at the Corinth Contraband Camp in Corinth, Mississippi. Established by Union General Grenville M. Dodge in 1862 to shelter freedom-seekers, the Corinth Contraband Camp featured a church, a school, a hospital, and numerous homes as well as productive and profitable farms that were operated by freedmen and women. The bronze statues include: a woman with her hands on her hips, “the greeter”; a laundress ironing clothes; a farmer tending to his crops with a hoe; a female teacher with a young female student who read together from an open Bible; a man and boy gathering books; and a member of the United States Colored Troops who pulls Hardee's Rifle and Light Infantry Tactics from his haversack . Included at the site: two bronze plaques with inscriptions attached to a concrete wall near the greeter; two bronze low reliefs on a concrete wall opposite the greeter; and an informational panel explaining farming at the site in front of the farmer. The two bronze low reliefs are based on nineteenth-century photographs: Timothy H. O'Sullivan, <a href="https://www.loc.gov/item/2018666225/" target="_blank" rel="noopener">[Rappahannock River, Va. Fugitive African Americans fording the Rappahannock]</a>, August 1862 and G.W. Foster, <a href="https://exploreuk.uky.edu/fa/findingaid/?id=xt77sq8qcb8z" target="_blank" rel="noopener">Refugee camp; street scene, Camp Nelson, Kentucky</a>, 1864. Creator An entity primarily responsible for making the resource Lugar, Larry, 1953- Lugar, Andrea, 1952- Date A point or period of time associated with an event in the lifecycle of the resource Dedicated: May 23, 2009 Rights Information about rights held in and over the resource National Park Service, U.S. Department of the Interior, 1849 C Street NW, Washington, DC 20240, United States Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource English Type The nature or genre of the resource Visual Arts-Sculpture Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 800 N Parkway St, Corinth, Mississippi, 38834, United States Source A related resource from which the described resource is derived Photographs by Renée Ater Contributor An entity responsible for making contributions to the resource Siege and Battle of Corinth Commission (Rosemary Williams), Shiloh National Military Park (Superintendent Haywood “Woody” Harrell), Mississippi Department of Archives and History, and Corinth African-American Historical Society, and Preston Knight (Knight Brothers, Inc.). Relation A related resource <a href="https://www.nps.gov/shil/learn/historyculture/corinth.htm" target="_blank" rel="noopener">Corinth Civil War Interpretative Center</a> Andrea Lugar contrabands emancipation freedom Larry Lugar Mississippi Shiloh National Military Park https://community-sourcing-beta-test.slaverymonuments.org/files/original/e38d6d8f89221bc31ab977f86a3ba023.jpg 735278269f7006c9c22002d0c593bc56 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Sculpture Physical Dimensions The actual physical size of the original image 141.72'' x 94.44'' (359.9688 cm x 239.8776 cm) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Le Marron Inconnu de Saint-Domingue (Port-au-Prince, Haiti) Subject The topic of the resource Subject (Topic) Slavery-Emancipation Middle Passage Transatlantic Slave Trade Slave Trade Diaspora Port-au-Prince, Haiti Subject (Object Type) Commemorative sculpture Description An account of the resource The bronze sculpture depicts a man, clad only in torn shorts, kneeling on his right leg. His left leg is outstretched behind him, a broken iron chain lays on the ground around his left foot. He arches his torso back as he holds a conch shell to his lips with his left hand, tilting his head upward. His right hand holds a machete at the ground. The statue was created to commemorate the abolition of slavery in Haiti. Creator An entity primarily responsible for making the resource Mangonès, Albert, 1917 –2002 Date A point or period of time associated with an event in the lifecycle of the resource Completed: September 22, 1967 Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource English Type The nature or genre of the resource Visual Arts-Sculpture Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Place du Marron Inconnu, Champ de Mars, HT6110 Port-au-Prince, Haiti Source A related resource from which the described resource is derived Wikipedia.org https://community-sourcing-beta-test.slaverymonuments.org/files/original/a907c6352f5124863eadf19214ce6d82.jpg 30bf9b2e4cd0a61bf5b8cf73f45940a0 https://community-sourcing-beta-test.slaverymonuments.org/files/original/0696dea00b23381c270b3f4abc7ec94d.jpg d4d8310b84e221679ccd24b8a61a68f8 https://community-sourcing-beta-test.slaverymonuments.org/files/original/c7769545511a9097927a1b9754e4bbfd.jpg 1cc52c0bb98fc0aaabb2593019d732f3 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Sculpture Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Haitian Monument (Savannah, GA) Subject The topic of the resource Subject (Topic) Associations--Military American South American Revolution Creator An entity primarily responsible for making the resource Mastin, James Date A point or period of time associated with an event in the lifecycle of the resource First four figures dedicated: October 8th 2007; Two additional figures unveiled: October 2009 Contributor An entity responsible for making contributions to the resource Haitian-American Historical Society Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource English Type The nature or genre of the resource Visual Arts-Sculpture Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Franklin Square, Savannah, GA 31401, United States Description An account of the resource The Haitian Monument commemorates the contributions of the Chasseurs-Volontaires de Saint-Domingue, a French regiment of free men of African descent, during the American Revolution. The work depicts five uniformed and armed soldiers, rifles pointed at the ready. One of the soldiers sits, wounded, his face contorted in a grimace as he rests his rifle across his lap and brings his right hand to his chest. The  young drummer boy, who stands just to the left of the armed group, is <a href="https://www.britannica.com/biography/Henry-Christophe" target="_blank" rel="noopener">Henri Christophe</a>, an important leader in the Haitian Revolution and the only monarch of the Kingdom of Haiti. Christophe, who joined the Chasseurs-Volontaires as a teen is believed, although firm proof does not exist, to have participated in the Siege of Savannah.  https://community-sourcing-beta-test.slaverymonuments.org/files/original/86a848c243c3afdd02c6d4c4cf685dab.jpg f9eeb57dab58b03cb55eff0f90227c82 https://community-sourcing-beta-test.slaverymonuments.org/files/original/8b3e7651ac2535ef15c96c2883c4db0b.jpg 211851c7ee46275875199a22b1ff7d4c https://community-sourcing-beta-test.slaverymonuments.org/files/original/9060291336adaca410e01d05d316fb10.jpg d41413b15cc7e17eb78a8bfb9f4dcb35 https://community-sourcing-beta-test.slaverymonuments.org/files/original/5d338781ab66f8b5442fec5d61402d11.jpg 97caa0ca80f641f7983433d7d9686c77 https://community-sourcing-beta-test.slaverymonuments.org/files/original/ccd6acf988d057d7ca16cb71c5d7baf5.jpg 126c7ebcab625b755f8bdaab76d3175c https://community-sourcing-beta-test.slaverymonuments.org/files/original/b0618385b4d6135aa317b20b7c1fab33.jpg 9e76935e81e088a63df743cef178e25f https://community-sourcing-beta-test.slaverymonuments.org/files/original/2027374c523bce9d2fc9fbbed449c73b.jpg 1f036b2daaa55830cfaa7b1a10a2d98e https://community-sourcing-beta-test.slaverymonuments.org/files/original/7482f7c5e3db8a5a995eb3574ed14afd.jpg c30598c7c8d02d6d062c9d3d600fdc43 https://community-sourcing-beta-test.slaverymonuments.org/files/original/fc525d45d42ee59b7ec1158e2e4d19c9.jpg a86b021e76a81d176d73b3b23e8e7d5d https://community-sourcing-beta-test.slaverymonuments.org/files/original/ab18915bbc224be364bf163a54542589.jpg 635e1383901893f6bf19b223413de9e0 https://community-sourcing-beta-test.slaverymonuments.org/files/original/517ce1dd4dbd5c16fd4dd5d775c66962.jpg 57646603803c2953da5036d650b5543b https://community-sourcing-beta-test.slaverymonuments.org/files/original/122fb705680a3c065ea6f74dc13b072f.jpg 56a8e0704371252c1b1db55d82ef2550 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cemeteries and Memorial Parks Contributor An entity responsible for making contributions to the resource Renée Ater Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Sculpture Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource African Burying Ground Memorial (We Stand in Honor of Those Forgotten) (Portsmouth, NH) Subject The topic of the resource Subject (Topic) African Americans--New Hampshire--History Cemeteries--New Hampshire New Hampshire--History Northeastern United States Public art Public sculpture Slavery Subject (Object Type) Commemorative sculpture Description An account of the resource The memorial is composed of a number of distinct elements. A rectangular granite stele on State Street marks the memorial’s entrance. On one side, below the engraved text that reads “African Burying Ground Memorial,” a life-size bronze figure of a man stands with his back against the stone stele. His left-hand reaches out and back, towards the other side of the stele. On the opposite side, a life-size bronze figure of a woman mirrors the gesture of her male counterpart. The sculptor, Jerome Meadows, leaves a gap between the outstretched hands of the two figures. On the opposite end of the memorial, a group of eight life-size vertical bronze and concrete silhouettes, each inscribed with a line from a poem written by Meadows, stand in a semi-circle around the burial vault. The figural group is surrounded by a metal railing, embellished with ceramic tiles. The design of the 110 ceramic tiles is inspired by Kinte cloth patterns and based on the original drawings created in a workshop Meadows facilitated with students from a local middle school. The burial vault contains the re-interred remains of the 13 individuals found on the site in 2003. The vault is marked with a Sankofa, a West African Adinkra symbol that means “Return and Get It — Learn from the Past.” The sculptural groups are connected by the “Petition Line,” a ribbon of pinks stone, which contrasts with the gray stone walkway of the memorial. The Petition Line contains excerpts from a formal document submitted to the New Hampshire legislature in 1779 by 20 enslaved individuals petitioning for their freedom. To the right is an information marker that provides visitors with the historical context for the memorial, as well as the poem by Meadows - I Stand For Those Forgotten. Creator An entity primarily responsible for making the resource Meadows, Jerome, 1951- Date A point or period of time associated with an event in the lifecycle of the resource 2015 Contributor An entity responsible for making contributions to the resource Portsmouth City Council; African Burying Ground Committee; Roberta Woodburn, Woodburn & Company Landscape Architecture; community members; Portsmouth school children; and various non-profit partners including the Portsmouth Black Heritage Trail, Inc., the Seacoast African American Cultural Center, the Portsmouth Historical Society, and Art-Speak. Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource English Type The nature or genre of the resource Visual Arts-Sculpture Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Portsmouth African Burying Ground, 97 Chestnut Street (between Court and State Streets), Portsmouth, New Hampshire, 03801, United States Source A related resource from which the described resource is derived Photographs by Sally Promey archaeology black cemetery Jerome Meadows New Hampshire slavery